{"id":645,"date":"2006-09-25T01:03:00","date_gmt":"2006-09-25T08:03:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=645"},"modified":"2006-09-25T01:03:00","modified_gmt":"2006-09-25T08:03:00","slug":"cd_12","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/09\/cd_12\/","title":{"rendered":"CD"},"content":{"rendered":"<p>The Jim Cutler Jazz Orchestra, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?ie=UTF8&#038;location=http%3A%2F%2Fwww.amazon.com%2FProgress-Jim-Cutler-Jazz-Orchestra%2Fdp%2FB000H6STGE%2Fref%3Dsr%5F11%5F1%3Fie%3DUTF8&#038;tag=rifftidougram-20&#038;linkCode=ur2&#038;camp=1789&#038;creative=9325\"target=\"_blank\"><em>In Progress<\/em><\/a> (Pony Boy). Seattle seems to be breeding big bands. Cutler&#8217;s is one of the best of the current crop. There&#8217;s not a household name among the twenty-three musicians who appear in this stimulating collection of twelve originals and John Coltrane&#8217;s &#8220;Dear Lord,&#8221; but who cares? Execution and solos are first rate (watch out for tenor saxophonist Richard Cole). Cutler and Daniel Barry write beautifully.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Jim Cutler Jazz Orchestra, In Progress (Pony Boy). Seattle seems to be breeding big bands. Cutler&#8217;s is one of the best of the current crop. There&#8217;s not a household name among the twenty-three musicians who appear in this stimulating collection of twelve originals and John Coltrane&#8217;s &#8220;Dear Lord,&#8221; but who cares? Execution and solos [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-645","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/645","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=645"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/645\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=645"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=645"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=645"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}