{"id":6386,"date":"2015-02-04T00:17:48","date_gmt":"2015-02-04T08:17:48","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=6386"},"modified":"2015-02-04T08:36:51","modified_gmt":"2015-02-04T16:36:51","slug":"the-bill-evans-legacy","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2015\/02\/the-bill-evans-legacy\/","title":{"rendered":"The Bill Evans Legacy"},"content":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;dbPcTULfBqE92Z3ZlBFwN314iV3oKcJp&#8221;]<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/02\/bill-evans-color-head-shot.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2015\/02\/bill-evans-color-head-shot.jpg\" alt=\"bill-evans-color head shot\" width=\"159\" height=\"200\" class=\"alignleft size-full wp-image-6387\" \/><\/a>My piece in today\u00e2\u20ac\u2122s <em>Wall Street Journal<\/em> is about Bill Evans, his continuing influence on pianists and on the general course of jazz, 35 years after his death. You may be able to see the column <a href=\" http:\/\/www.wsj.com\/articles\/the-bill-evans-legacy-1423008187\"target=\"_blank\">here<\/a> (that&#8217;s a link). Otherwise, I hope that your town has a newsstand or a full-service supermarket that sells the <em>Journal<\/em>.   <\/p>\n","protected":false},"excerpt":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;dbPcTULfBqE92Z3ZlBFwN314iV3oKcJp&#8221;] My piece in today\u00e2\u20ac\u2122s Wall Street Journal is about Bill Evans, his continuing influence on pianists and on the general course of jazz, 35 years after his death. You may be able to see the column here (that&#8217;s a link). Otherwise, I hope that your town has a newsstand or a full-service supermarket [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-6386","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6386","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=6386"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6386\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=6386"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=6386"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=6386"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}