{"id":636,"date":"2006-09-08T15:44:50","date_gmt":"2006-09-08T22:44:50","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=636"},"modified":"2006-09-08T15:44:50","modified_gmt":"2006-09-08T22:44:50","slug":"rollins_and_hall_after_all","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/09\/rollins_and_hall_after_all\/","title":{"rendered":"Rollins And Hall, After All"},"content":{"rendered":"<p>Thanks to Terry Teachout for alerting me to the existence on<a href=\"http:\/\/youtube.com\/results?search_query=Sonny+Rollins+Jim+Hall&#038;search=Search\"target=\"_blank\"><em> YouTube<\/em><\/a> of video performances by the great early 1960s Sonny Rollins Quartet with Jim Hall. As I lamented in <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2006\/09\/sonny_at_76.html\"target=\"_blank\">the previous exhibit<\/a>, that band is absent from Rollins&#8217;s own web site. The clips are from Ralph Gleason&#8217;s <em>Jazz Casual<\/em> series on Public Broadcasting. You will see four of them, totalling more than twenty minutes of the group playing &#8220;God Bless The Child,&#8221; &#8220;The Bridge,&#8221; and &#8220;If Ever I Should Leave You,&#8221; the latter in two installments.<br \/>\nIn his artsjournal.com <a href=\"http:\/\/www.artsjournal.com\/aboutlastnight\/index.shtml\"target=\"_blank\"><em>About Last Nigtht<\/em><\/a> blog, Terry has built a list of links to videos of music in a variety of genres, a fine public service.  Scroll down his right-hand column until you come to the <strong>Videos<\/strong> heading. Bravo, TT.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thanks to Terry Teachout for alerting me to the existence on YouTube of video performances by the great early 1960s Sonny Rollins Quartet with Jim Hall. As I lamented in the previous exhibit, that band is absent from Rollins&#8217;s own web site. The clips are from Ralph Gleason&#8217;s Jazz Casual series on Public Broadcasting. You [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-636","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=636"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/636\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}