{"id":629,"date":"2006-08-26T15:08:00","date_gmt":"2006-08-26T22:08:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=629"},"modified":"2006-08-26T15:08:00","modified_gmt":"2006-08-26T22:08:00","slug":"michael_cuscuna_responds","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/08\/michael_cuscuna_responds\/","title":{"rendered":"Michael Cuscuna Responds"},"content":{"rendered":"<blockquote><p>The obvious answer. I had a few out on Roulette Jazz through EMI Blue Note and they didn&#8217;t sell and got deleted. That&#8217;s what drove me to do the Mosaic set. Oddly enough, before this week&#8217;s shocking news I was thinking about trying the Ferguson and Basie Birdland albums at some point next year.<br \/>\nMC<\/p><\/blockquote>\n<p>Mr. Cuscuna is the head of Mosaic Records. He also employs his reissue expertise at Blue Note.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The obvious answer. I had a few out on Roulette Jazz through EMI Blue Note and they didn&#8217;t sell and got deleted. That&#8217;s what drove me to do the Mosaic set. Oddly enough, before this week&#8217;s shocking news I was thinking about trying the Ferguson and Basie Birdland albums at some point next year. MC [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-629","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/629","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=629"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/629\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=629"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=629"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=629"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}