{"id":6260,"date":"2014-12-16T22:25:19","date_gmt":"2014-12-17T06:25:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=6260"},"modified":"2014-12-17T11:00:38","modified_gmt":"2014-12-17T19:00:38","slug":"les-paul-over-the-rainbow","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2014\/12\/les-paul-over-the-rainbow\/","title":{"rendered":"Les Paul Over The Rainbow"},"content":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;biC2vOREzy8PdTTbhFZPNiv22lClwGTG&#8221;]<\/p>\n<p>Thanks to <em>Rifftides<\/em> reader Greg Curtis for flagging a performance by Les Paul of Harold Arlen\u00e2\u20ac\u2122s best known song. This was at Fat Tuesday\u00e2\u20ac\u2122s in New York, most likely in the 1990s. Paul\u00e2\u20ac\u2122s accompanists were rhythm guitarist Lou Pollo and bassist Gary Mazzaroppi.<\/p>\n<p>\n<div style=\"text-align: center;\"> <iframe loading=\"lazy\" width=\"480\" height=\"360\" src=\"\/\/www.youtube.com\/embed\/tzga5kA1wPY?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe> <\/iframe><\/div  \n\n \n\n<p>Later, Paul moved to the Iridium on Times Square for the Monday night gigs that in his late eighties brought renewed fame to the man whose innovations included perfecting the solid body electric guitar in the early 1940s. One result of that piece of inventiveness is that he often gets credit or blame for the success of rock and roll (he is pictured here with Paul McCartney). Les Paul <a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/12\/Paul-McCartney.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/12\/Paul-McCartney.jpg\" alt=\"Paul &amp; McCartney\" width=\"210\" height=\"182\" class=\"alignleft size-full wp-image-6261\" \/><\/a>further revolutionized the music industry by introducing multi-track recording. He is in the National Inventors Hall of Fame and the Rock and Roll Hall of Fame, most likely the only member of either to have played with <a href=\"https:\/\/www.youtube.com\/watch?v=uMQ5H_xvFKQ\"target=\"_blank\">Jazz At The Philharmonic<\/a>. In 2009 a few weeks after his final Iridium appearance, he died at the age of 94.<\/p>\n<p>Mr. Curtis\u00e2\u20ac\u2122s message recommending the clip of &#8220;Over The Rainbow&#8221; consisted solely of a link to <em>YouTube<\/em>. The subject line was,<\/p>\n<div style=\"text-align: center;\"><strong>a lot of fun<br \/>\n<\/strong><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;biC2vOREzy8PdTTbhFZPNiv22lClwGTG&#8221;] Thanks to Rifftides reader Greg Curtis for flagging a performance by Les Paul of Harold Arlen\u00e2\u20ac\u2122s best known song. This was at Fat Tuesday\u00e2\u20ac\u2122s in New York, most likely in the 1990s. Paul\u00e2\u20ac\u2122s accompanists were rhythm guitarist Lou Pollo and bassist Gary Mazzaroppi.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-6260","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6260","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=6260"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6260\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=6260"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=6260"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=6260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}