{"id":626,"date":"2006-09-07T01:05:00","date_gmt":"2006-09-07T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=626"},"modified":"2006-09-07T01:05:00","modified_gmt":"2006-09-07T08:05:00","slug":"detroiters_en_masse","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/09\/detroiters_en_masse\/","title":{"rendered":"Detroiters En Masse"},"content":{"rendered":"<p>Coincidental with the <em>Rifftides<\/em> <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2006\/09\/recent_cds_part_1.html\"target=\"_blank\">review of a new Louis Hayes CD<\/a>, Mark Stryker of <em>The Detroit Free Press<\/em> devoted his column to a festival that featured Hayes and others who began their careers in the Motor City.<\/p>\n<blockquote><p>A remarkable chunk of Detroit-bred jazz history reunited on Monday evening at the Detroit International Jazz Festival, and it was hard to listen to the Detroit Jazz All Stars &#8211; pianist Barry Harris, trombonist Curtis Fuller, alto saxophonist Charles McPherson, drummer Louis Hayes, trumpeter Marcus Belgrave and bassist Rodney Whitaker &#8211; without shaking your head once again at this city&#8217;s historic role as an incubator of jazz talent.<\/p><\/blockquote>\n<p>To read the whole thing, <a href=\"http:\/\/www.freep.com\/apps\/pbcs.dll\/article?AID=\/20060905\/ENT04\/60905001\"target=\"_blank\">go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Coincidental with the Rifftides review of a new Louis Hayes CD, Mark Stryker of The Detroit Free Press devoted his column to a festival that featured Hayes and others who began their careers in the Motor City. A remarkable chunk of Detroit-bred jazz history reunited on Monday evening at the Detroit International Jazz Festival, and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-626","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=626"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/626\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}