{"id":621,"date":"2006-08-26T15:09:05","date_gmt":"2006-08-26T22:09:05","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=621"},"modified":"2006-08-26T15:09:05","modified_gmt":"2006-08-26T22:09:05","slug":"comment_ferguson_at_the_changi","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/08\/comment_ferguson_at_the_changi\/","title":{"rendered":"Comment: Ferguson At The Changing Of The Guard"},"content":{"rendered":"<blockquote><p>Thanks for your wonderful <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2006\/08\/maynard_ferguso_1.html\"target=\"_blank\">appreciation of Maynard Ferguson<\/a>. In many ways, Ferguson transcended jazz and big bands. His high-octane enthusiasm and optimism captured the spirit of an entire generation of post-war Americans who believed anything and everything was possible and that the only way to go was flat out. Despite Maynard&#8217;s massive musical ego, he never made anyone feel badly and encouraged everyone he encountered to be better&#8211;as a person and as a musician.<br \/>\nOne of my favorite Maynard appearances wasn&#8217;t an appearance at all. That&#8217;s Ferguson (and Sal Salvador) playing on Kenton&#8217;s &#8220;Invention for Guitar and Trumpet&#8221; in the film <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?link_code=ur2&#038;tag=rifftidougram-20&#038;camp=1789&#038;creative=9325&#038;location=%2Fgp%2Fproduct%2FB0007TKNHE%2Fsr%3D1-1%2Fqid%3D1156545736%2Fref%3Dpd_bbs_1%3Fie%3DUTF8%26s%3Ddvd\"target=\"_blank\"><em>Blackboard Jungle<\/em><\/a> (1955), which is heard just before the high school thugs smash their teacher&#8217;s prized jazz platters. The clash between the generations in this camp film was somewhat prescient given that the rock culture ultimately would wind up &#8220;smashing&#8221; the entire jazz scene some 10 years later. What&#8217;s especially fascinating is that Maynard&#8217;s energy level and prowess in &#8220;Invention&#8221; and Bill Haley&#8217;s intensity in &#8220;Rock Around the Clock&#8221; (the film&#8217;s opening theme) aren&#8217;t that different. Both are generational clarion calls. Here, in this film, you can actually hear the continental divide where jazz and rock\/r&#038;b met, and Maynard was there. There, before your eyes, the adult appreciation of virtuosity gives way to the teenage demand for a big beat. I often wondered what Maynard thought of <em>Blackboard Jungle<\/em>.<br \/>\nRegarding the &#8220;hen&#8217;s teeth&#8221; Maynard Ferguson Mosaic box and the entire Roulette catalogue, it almost seems as if some entity is sitting on the re-release of the catalogue to keep eBay auction prices high. Perhaps Michael Cuscuna at Mosaic can shed light on why Maynard&#8217;s Roulette catalogue is not in print and when that might be changed. Those babies could use a CD remastering.<br \/>\nMarc Myers<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Thanks for your wonderful appreciation of Maynard Ferguson. In many ways, Ferguson transcended jazz and big bands. His high-octane enthusiasm and optimism captured the spirit of an entire generation of post-war Americans who believed anything and everything was possible and that the only way to go was flat out. Despite Maynard&#8217;s massive musical ego, he [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-621","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=621"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/621\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}