[contextly_auto_sidebar id=”TBefCupTUztNUeIqggDeGfpldTgZtZNk”]<\/p>\n
\n‘Tis now the very witching time of night, When churchyards yawn and hell itself breathes out Contagion to this world. <\/em>— William Shakespeare <\/strong><\/p>\n
<\/strong><\/font><\/em><\/font> <\/p>\n
One need not be a chamber to be haunted;
One need not be a house;
The brain has corridors surpassing
Material place. <\/font><\/em>— Emily Dickinson<\/strong><\/font><\/font><\/p>\n<\/strong><\/em> <\/p>\n
There are three things I have learned never to discuss with people: religion, politics and the Great Pumpkin. <\/em>— Linus Van Pelt <\/strong><\/p>\n
From ghoulies and ghosties
\nAnd long-legged beasties
\nAnd things that go bump in the night,
\nGood Lord, deliver us! – Scottish saying<\/strong><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"[contextly_auto_sidebar id=”TBefCupTUztNUeIqggDeGfpldTgZtZNk”] ‘Tis now the very witching time of night, When churchyards yawn and hell itself breathes out Contagion to this world. — William Shakespeare One need not be a chamber to be haunted;One need not be a house;The brain has corridors surpassingMaterial place. — Emily Dickinson There are three things I have […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-6151","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=6151"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6151\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=6151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=6151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=6151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}