{"id":6031,"date":"2014-09-07T21:41:36","date_gmt":"2014-09-08T04:41:36","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=6031"},"modified":"2014-09-07T21:41:36","modified_gmt":"2014-09-08T04:41:36","slug":"were-back-2","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2014\/09\/were-back-2\/","title":{"rendered":"We&#8217;re Back"},"content":{"rendered":"<p>Web server problems resulting in massive slowness interfered with <em>Rifftides<\/em> today and, evidently, with all other blogs under the <em>artsjournal.com<\/em> umbrella. As a result, it was not possible to prepare and post new items. I would be happy to report that the crack <em>Rifftides<\/em> technical staff wrestled the problem to the ground and eliminated it, but there is no <em>Rifftides<\/em> technical staff. The difficulty seems to have fixed itself, and we&#8217;re back up and running, witness the next exhibit. I believe the standard jargon in such situations involves apologizing and regretting any inconvenience, although to my knowledge, no one has claimed inconvenience.<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/09\/server-problems.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/09\/server-problems.jpg\" alt=\"server problems\" width=\"200\" height=\"140\" class=\"aligncenter size-full wp-image-6032\" \/><\/a><br \/>\nI will post as often as possible in the next day or two, but I am simultaneously careening toward the deadline for my next <em>Wall Street Journal<\/em> article. The crunch is on. <\/p>\n<p>I regret any inconvenience. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Web server problems resulting in massive slowness interfered with Rifftides today and, evidently, with all other blogs under the artsjournal.com umbrella. As a result, it was not possible to prepare and post new items. I would be happy to report that the crack Rifftides technical staff wrestled the problem to the ground and eliminated it, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-6031","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=6031"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/6031\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=6031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=6031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=6031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}