{"id":600,"date":"2006-08-12T01:05:00","date_gmt":"2006-08-12T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=600"},"modified":"2006-08-12T01:05:00","modified_gmt":"2006-08-12T08:05:00","slug":"weekend_extra_talk_about_mecha","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/08\/weekend_extra_talk_about_mecha\/","title":{"rendered":"Weekend Extra: Talk About Mechanical Playing!"},"content":{"rendered":"<p>Thanks to Ty Newcomb for alerting me to a remarkable performance of John Coltrane&#8217;s &#8220;Giant Steps.&#8221; The tenor player is an ugly cat, but he has Trane&#8217;s solo down cold (term used advisedly). To hear and witness it, <a href=\"http:\/\/www.youtube.com\/watch?v=OjONQNUU8Fg\"target=\"_blank\">go here<\/a>. Do not ask where you can hear this player in live performance. You can&#8217;t.<br \/>\nHave a good weekend.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thanks to Ty Newcomb for alerting me to a remarkable performance of John Coltrane&#8217;s &#8220;Giant Steps.&#8221; The tenor player is an ugly cat, but he has Trane&#8217;s solo down cold (term used advisedly). To hear and witness it, go here. Do not ask where you can hear this player in live performance. You can&#8217;t. Have [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-600","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/600","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=600"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/600\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=600"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=600"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=600"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}