{"id":5991,"date":"2014-08-26T13:15:40","date_gmt":"2014-08-26T20:15:40","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=5991"},"modified":"2014-08-26T13:15:40","modified_gmt":"2014-08-26T20:15:40","slug":"new-recommendation-tom-harrell","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2014\/08\/new-recommendation-tom-harrell\/","title":{"rendered":"New Recommendation: Tom Harrell"},"content":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;53TXKS50KDjTxqDnBXbLIhXuv0824emK&#8221;]<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/08\/Harrell-Trip.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/08\/Harrell-Trip.jpg\" alt=\"Harrell Trip\" width=\"200\" height=\"200\" class=\"alignleft size-full wp-image-5992\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/08\/Harrell-Trip.jpg 200w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/08\/Harrell-Trip-150x150.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/08\/Harrell-Trip-100x100.jpg 100w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>Tom Harrell, <a href=\"http:\/\/www.amazon.com\/Trip-Tom-Harrell\/dp\/B00LM9IWGM\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;keywords=Tom%20Harrell%20Trip&#038;linkCode=ur2&#038;qid=1409078411&#038;s=music&#038;sr=1-1&#038;tag=rifftidougram-20\"target=\"_blank\">Trip<\/a> (HighNote)<\/p>\n<p>A dozen compositions by trumpeter Harrell provide a framework for variety and surprise in this recording by the pianoless quartet he calls Trip. The centerpiece, \u00e2\u20ac\u0153The Adventures of a Quixotic Character,\u00e2\u20ac\u009d is a six-part suite inspired by Miguel de Cervantes\u00e2\u20ac\u2122 15th century novel <em>Don Quixote<\/em>. Harrell\u00e2\u20ac\u2122s solo on \u00e2\u20ac\u0153The Ingenious Gentleman\u00e2\u20ac\u009d is a highlight among highlights. If some of the tracks summon thoughts of Gerry Mulligan and Chet Baker, it may be more than a coincidence of instrumentation. Growing up in Los Angeles, the eight-year-old Harrell began playing trumpet during the heyday of west coast jazz. For all of their harmonic sophistication and up-to-the-minute hipness, the album\u00e2\u20ac\u2122s tracks often evoke the relaxation and complexity of the Mulligan quartet. Throughout, tenor saxophonist Mark Turner\u00e2\u20ac\u2122s ear-catching work is on a par with Harrell\u00e2\u20ac\u2122s. Ogonna Okegwo is the bassist, Adam Cruz the incisive drummer.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;53TXKS50KDjTxqDnBXbLIhXuv0824emK&#8221;] Tom Harrell, Trip (HighNote) A dozen compositions by trumpeter Harrell provide a framework for variety and surprise in this recording by the pianoless quartet he calls Trip. The centerpiece, \u00e2\u20ac\u0153The Adventures of a Quixotic Character,\u00e2\u20ac\u009d is a six-part suite inspired by Miguel de Cervantes\u00e2\u20ac\u2122 15th century novel Don Quixote. Harrell\u00e2\u20ac\u2122s solo on \u00e2\u20ac\u0153The [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-5991","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=5991"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5991\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=5991"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=5991"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=5991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}