{"id":590,"date":"2006-08-07T01:05:00","date_gmt":"2006-08-07T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=590"},"modified":"2006-08-07T01:05:00","modified_gmt":"2006-08-07T08:05:00","slug":"compatible_quotes_16","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/08\/compatible_quotes_16\/","title":{"rendered":"Compatible Quotes"},"content":{"rendered":"<blockquote><p><em>Too many pieces of music finish too long after the end.<\/em><br \/>\n<br \/>&#8211; Igor Stravinsky<\/p><\/blockquote>\n<blockquote><p><em>You might try taking the horn out of your mouth<\/em>.<br \/>\n<br \/>&#8211; Miles Davis, after John Coltrane said he found it difficult to play short solos<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Too many pieces of music finish too long after the end. &#8211; Igor Stravinsky You might try taking the horn out of your mouth. &#8211; Miles Davis, after John Coltrane said he found it difficult to play short solos<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-590","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/590","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=590"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/590\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=590"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=590"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=590"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}