{"id":5884,"date":"2014-07-11T17:15:26","date_gmt":"2014-07-12T00:15:26","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=5884"},"modified":"2014-07-11T21:03:40","modified_gmt":"2014-07-12T04:03:40","slug":"more-about-charlie-haden","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2014\/07\/more-about-charlie-haden\/","title":{"rendered":"More about Charlie Haden"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/07\/Charlie-Haden-2.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/07\/Charlie-Haden-2.jpg\" alt=\"Charlie Haden 2\" width=\"207\" height=\"207\" class=\"alignleft size-full wp-image-5885\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/07\/Charlie-Haden-2.jpg 207w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/07\/Charlie-Haden-2-150x150.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/07\/Charlie-Haden-2-100x100.jpg 100w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/07\/Charlie-Haden-2-200x200.jpg 200w\" sizes=\"auto, (max-width: 207px) 100vw, 207px\" \/><\/a>While we\u00e2\u20ac\u2122re at it, let\u00e2\u20ac\u2122s watch the National Endowment for the Arts video made when Haden became a 2012 NEA Jazz Master.<\/p>\n<div style=\"text-align: center;\"> <iframe loading=\"lazy\" width=\"580\" height=\"360\" src=\"\/\/www.youtube.com\/embed\/_4H54oHXib4?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>While we\u00e2\u20ac\u2122re at it, let\u00e2\u20ac\u2122s watch the National Endowment for the Arts video made when Haden became a 2012 NEA Jazz Master.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-5884","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=5884"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5884\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=5884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=5884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=5884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}