{"id":577,"date":"2006-07-31T01:05:00","date_gmt":"2006-07-31T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=577"},"modified":"2006-07-31T01:05:00","modified_gmt":"2006-07-31T08:05:00","slug":"cd_6","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/07\/cd_6\/","title":{"rendered":"CD"},"content":{"rendered":"<p><a href=\"http:\/\/www.marshmallow-records.com\/\"target=\"_blank\"><em>Jan Lundgren in New York <\/em><\/a>(Marshmallow). The great young Swedish pianist teams with two of the brightest rhythm players in New York, both named Washington; Peter on bass, Kenny on drums. Lundgren and the Washingtons give satisfaction in a program of classic standards plus originals by John Coltrane, Wayne Shorter, Benny Golson and the pianist himself.  With the exception of a speedy &#8220;Cherokee,&#8221; Lundgren holds the fiery side of his nature in abeyance, but compensates with his touch, harmonic riches and gift of melodic invention. His refractive lines in solo on Shorter&#8217;s &#8220;This is For Albert&#8221; are a particular pleasure. Ordering information for Marshmallow, a Japanese label, is available by <a href=\"mailto:LEU02200@nifty.com\">e-mail<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jan Lundgren in New York (Marshmallow). The great young Swedish pianist teams with two of the brightest rhythm players in New York, both named Washington; Peter on bass, Kenny on drums. Lundgren and the Washingtons give satisfaction in a program of classic standards plus originals by John Coltrane, Wayne Shorter, Benny Golson and the pianist [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-577","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=577"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/577\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}