{"id":569,"date":"2006-07-26T01:05:00","date_gmt":"2006-07-26T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=569"},"modified":"2006-07-26T01:05:00","modified_gmt":"2006-07-26T08:05:00","slug":"eyewitness","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/07\/eyewitness\/","title":{"rendered":"Eyewitness"},"content":{"rendered":"<p>Mention of Chubby Jackson&#8217;s album <em>Chubby&#8217;s Back<\/em> as a <a href=\"http:\/\/www.vervemusicgroup.com\/product.aspx?ob=n&#038;src=art&#038;pid=11457\"target=\"_blank\">digital download<\/a> brought this account of the session that produced it.<\/p>\n<blockquote><p>Doug:<br \/>\nI was at the session in 1957 when this album was recorded. I was editor of <em>Down Beat<\/em> at the time, and a close friend of Chubby&#8217;s, and I had been asked to write the liner notes.<br \/>\n<a href=\"http:\/\/www.trombone.org\/articles\/library\/evojazz2-4.asp\"target=\"_blank\">Bill Harris<\/a> and <a href=\"http:\/\/www.angelfire.com\/mac\/keepitlive\/drummers\/Lamond\/lamond.htm\"target=\"_blank\">Don Lamond<\/a>, ex-Hermanites along with Jackson, had been flown in from Florida to do the date&#8211;the rest of the musicians were Chicagoans, all of whom were determined to prove that New York and Los Angeles were not the sole sources of top players.<br \/>\nThe band, except for Harris and Lamond, had rehearsed the charts  and were raring to go&#8211;Chubby had them ready.<br \/>\nThe entire album was cut one night (a Sunday if I recall) in just two three-hour sessions that ended at about 1 a.m. The engineer was the legendary Bill Putnam, a true innovator of modern recording techniques.<br \/>\nEnthusiasm in the studio was contagious, with trumpeter <a href=\"http:\/\/en.wikipedia.org\/wiki\/Don_Jacoby\"target=\"_blank\">Don Jacoby<\/a> and Chubby being the most vociferous. Bill Harris, quiet and professorial as always, played beautifully. Lamond was inspirational, and the band responded blazingly to his drive. A couple of the studio playbacks that were unmistakably master takes brought cheers from the band as they ended.<br \/>\nI have attended a great many recording sessions in subsequent years, both as observer and as a producer, but I can&#8217;t recall another that had this sort of atmosphere. When it finished, nobody wanted to go home.<br \/>\nI&#8217;d love to hear it on CD, carefully mastered and transferred to digital. I think it would be great listening.<br \/>\nJack Tracy<\/p><\/blockquote>\n<p>You will find a biography of Jackson <a href=\"http:\/\/www.answers.com\/topic\/chubby-jackson\"target=\"_blank\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mention of Chubby Jackson&#8217;s album Chubby&#8217;s Back as a digital download brought this account of the session that produced it. Doug: I was at the session in 1957 when this album was recorded. I was editor of Down Beat at the time, and a close friend of Chubby&#8217;s, and I had been asked to write [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-569","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=569"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/569\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=569"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=569"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}