{"id":56,"date":"2005-07-14T01:04:00","date_gmt":"2005-07-14T08:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=56"},"modified":"2005-07-14T01:04:00","modified_gmt":"2005-07-14T08:04:00","slug":"radio_days","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/07\/radio_days\/","title":{"rendered":"Radio Days"},"content":{"rendered":"<p>Since the publication of <em>Take Five: The Public and Private Lives of Paul Desmond<\/em>, I have done twenty-two radio interviews. Many more are scheduled. Most have been for NPR or PRI stations with jazz policies, but a third of them were aired on general FM (and two AM) stations or networks, including Westwood One and CBS. If the interest of these stations reflects the taste of the audiences, it indicates that there is more acceptance of jazz on the air than we tend to think; jazz, that is, without a modifier, not Soft or Smooth or Easy or Crossover or Slick or whatever may be the latest marketing terms for unjazz and near jazz.<br \/>\nSunday at 10:30 a.m. EDT, 7:30 a.m PDT, I&#8217;ll be with Al Vuona on WICN, the Boston-area jazz and folk station in Worcester, Massachusetts. WICN streams its programs on the internet <a href=\"http:\/\/www.wicn.org\/\"target=\"_blank\">here<\/a>. We recorded the thirty-minute interview this week for Al&#8217;s program <em>The Public Eye<\/em>. It was a lively one. I hope that you can join us.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since the publication of Take Five: The Public and Private Lives of Paul Desmond, I have done twenty-two radio interviews. Many more are scheduled. Most have been for NPR or PRI stations with jazz policies, but a third of them were aired on general FM (and two AM) stations or networks, including Westwood One and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-56","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/56","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=56"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/56\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=56"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=56"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}