{"id":5551,"date":"2014-03-04T12:37:08","date_gmt":"2014-03-04T20:37:08","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=5551"},"modified":"2014-03-04T12:41:49","modified_gmt":"2014-03-04T20:41:49","slug":"herbie-hancock-at-harvard","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2014\/03\/herbie-hancock-at-harvard\/","title":{"rendered":"Herbie Hancock At Harvard"},"content":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;2m4FW9BeWZVHVa8BrLb9rePRMLx27VJA&#8221;]<\/p>\n<p>The distinguished pianist, composer and leader is the 2014 occupant of the chair held by Bernstein, Cage, Eliot, Stravinsky and Gordimer, among others.<\/p>\n<p>\n<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/Hancock-at-Harvard.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/Hancock-at-Harvard.jpg\" alt=\"Hancock at Harvard\" width=\"496\" height=\"419\" class=\"aligncenter size-full wp-image-5553\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/Hancock-at-Harvard.jpg 496w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/Hancock-at-Harvard-300x253.jpg 300w\" sizes=\"auto, (max-width: 496px) 100vw, 496px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/Herbie-Hancock-smiling.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/Herbie-Hancock-smiling.jpg\" alt=\"Herbie Hancock smiling\" width=\"175\" height=\"174\" class=\"alignleft size-full wp-image-5552\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/Herbie-Hancock-smiling.jpg 200w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/Herbie-Hancock-smiling-150x150.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/Herbie-Hancock-smiling-100x100.jpg 100w\" sizes=\"auto, (max-width: 175px) 100vw, 175px\" \/><\/a>For further details, including how to get a ticket for the remaining lectures in the series, <a href=\"http:\/\/mahindrahumanities.fas.harvard.edu\/content\/norton-lectures?utm_source=newsletter&#038;utm_medium=email&#038;utm_campaign=haa_events&#038;utm_content=haa_ade_all_alumni_2014-03-04http:\/\/mahindrahumanities.fas.harvard.edu\/content\/norton-lectures?utm_source=newsletter&#038;utm_medium=email&#038;utm_campaign=haa_events&#038;utm_content=haa_ade_all_alumni_2014-03-04\"target=\"_blank\">go here<\/a>. As for what qualifies Hancock for the honor, we have a demonstration of two attributes, his composing and his playing. The piece is \u00e2\u20ac\u0153Chan\u00e2\u20ac\u2122s Song.\u00e2\u20ac\u009d His accompanists are bassist Christian McBride and drummer Karriem Riggins.<\/p>\n<div style=\"text-align: center;\"> <iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"\/\/www.youtube.com\/embed\/hGVl1x1h9eo\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;2m4FW9BeWZVHVa8BrLb9rePRMLx27VJA&#8221;] The distinguished pianist, composer and leader is the 2014 occupant of the chair held by Bernstein, Cage, Eliot, Stravinsky and Gordimer, among others. For further details, including how to get a ticket for the remaining lectures in the series, go here. As for what qualifies Hancock for the honor, we have a demonstration [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5552,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-5551","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=5551"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5551\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/5552"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=5551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=5551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=5551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}