{"id":5546,"date":"2014-03-03T19:32:26","date_gmt":"2014-03-04T03:32:26","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=5546"},"modified":"2014-03-03T19:37:18","modified_gmt":"2014-03-04T03:37:18","slug":"correspondence-used-records-in-paris","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2014\/03\/correspondence-used-records-in-paris\/","title":{"rendered":"Correspondence: Used Records In Paris"},"content":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;efAmRuKaaqX5rj6ZjnTamyx8TZc7XSdP&#8221;]<\/p>\n<p><em>Rifftides<\/em> reader Greg Curtis is on a study sabbatical in Paris. Wishing to stimulate envy\u00e2\u20ac\u201dand succeeding\u00e2\u20ac\u201dhe sent an illustrated message about two used record stores in the 5th <em>arrondissement<\/em>, near his apartment. One, La Dame Blanche, specializes in classical recordings. The name of the other, Crocojazz, is self-explanatory. They are across from one another on the rue de la Montagne-Ste-Genevi\u00c3\u00a8ve.<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/La-Dame-Blanche.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-5547\" alt=\"La Dame Blanche\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/La-Dame-Blanche.jpg\" width=\"225\" height=\"301\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/La-Dame-Blanche.jpg 225w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/La-Dame-Blanche-224x300.jpg 224w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/Crocojazz-store.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-5548\" alt=\"Crocojazz store\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/Crocojazz-store.jpg\" width=\"225\" height=\"301\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/Crocojazz-store.jpg 225w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/Crocojazz-store-224x300.jpg 224w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Mr. Curtis writes about Crocojazz:<\/p>\n<blockquote><p>This store featured a complete run of 33 1\/3 anthologies of rare blues and jazz tunes from 78s, with R. Crumb art on the cover. VERY tempting but I didn&#8217;t buy. Maybe I&#8217;ll go back and see if the owner can ship to the states and what that would cost.<\/p><\/blockquote>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/No-Matter-How-Many-Records.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-5549\" alt=\"No Matter How Many Records\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/No-Matter-How-Many-Records.jpg\" width=\"350\" height=\"469\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/No-Matter-How-Many-Records.jpg 350w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/03\/No-Matter-How-Many-Records-223x300.jpg 223w\" sizes=\"auto, (max-width: 350px) 100vw, 350px\" \/><\/a><\/p>\n<p>All dedicated collectors agonize over such decisions, as did Harvey Pekar. The drawing taped on Crocojazz\u00e2\u20ac\u2122s window is a panel from <a href=\"http:\/\/www.amazon.com\/American-Splendor-More-Times-Harvey\/dp\/0345468309\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;linkCode=ur2&#038;tag=rifftidougram-20\"target=\"_blank\">American Splendor: The Life and Times of Harvey Pekar<\/a> by the late jazz critic, philosopher and ironic humorist. Pekar was portrayed by Paul Giamatti in an award-winning film, also titled <em>American Splendor<\/em>. See <a href=\"http:\/\/www.artsjournal.com\/rifftides\/?s=Harvey+Pekar\" target=\"_blank\">this series of <em>Rifftide<\/em>s posts<\/a> about Pekar at the time of his death in 2010.<\/p>\n<p>Greg Curtis\u00e2\u20ac\u2122s most recent book, worth collecting, is <a href=\"http:\/\/www.amazon.com\/Gregory-Curtis\/e\/B001H6MPJK\/? _encoding=UTF8&amp;camp=1789&amp;creative=9325&amp;linkCode=ur2&amp;tag=rifftidougram-20\" target=\"_blank\"><em>The Cave Painters: Probing the Mysteries of the World\u00e2\u20ac\u2122s First Artists<\/em><\/a>. His previous one, <em>Disarmed<\/em>, was about the Venus de Milo. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>[contextly_auto_sidebar id=&#8221;efAmRuKaaqX5rj6ZjnTamyx8TZc7XSdP&#8221;] Rifftides reader Greg Curtis is on a study sabbatical in Paris. Wishing to stimulate envy\u00e2\u20ac\u201dand succeeding\u00e2\u20ac\u201dhe sent an illustrated message about two used record stores in the 5th arrondissement, near his apartment. One, La Dame Blanche, specializes in classical recordings. The name of the other, Crocojazz, is self-explanatory. They are across from one [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-5546","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=5546"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5546\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=5546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=5546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=5546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}