{"id":547,"date":"2006-07-12T01:05:05","date_gmt":"2006-07-12T08:05:05","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=547"},"modified":"2006-07-12T01:05:05","modified_gmt":"2006-07-12T08:05:05","slug":"a_request","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/07\/a_request\/","title":{"rendered":"A Request"},"content":{"rendered":"

The site meter shows that new Rifftides<\/em> readers have checked in this week from <\/p>\n

Algiers, Algeria
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Tokyo, Japan
\n
Bejing, China
\n
Reykjavk, Iceland
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Ajidjan, Cote D’Ivoire
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Vitoria-Gasteiz, Spain
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North Ockendon, Thurrock, in the United Kingdom<\/p><\/blockquote>\n

And from these places, among others, in the United States<\/p>\n

Coraopolis, Pennsylvania
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Blue Earth, Minnesota
\n
Kihei, Hawaii
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Cave Creek, Arizona<\/p><\/blockquote>\n

The Rifftides<\/em> staff is interested in what all of those readers, and all of you, are listening to. Please take a moment to send a message<\/a> with your name (if you care to disclose it), your location and the most recent music on your iPod, CD player, tape deck, wire recorder, turntable or cylinder machine. We will keep track and compile a report when we have a sizeable list. I’ll get the ball rolling:
\nDoug Ramsey. Yakima, Washington, USA. Alec Wilder’s score for the 1961 film The Sand Castle<\/em> Out of print and difficult, but not impossible<\/a>, to find).<\/p>\n","protected":false},"excerpt":{"rendered":"

The site meter shows that new Rifftides readers have checked in this week from Algiers, Algeria Tokyo, Japan Bejing, China Reykjavk, Iceland Ajidjan, Cote D’Ivoire Vitoria-Gasteiz, Spain North Ockendon, Thurrock, in the United Kingdom And from these places, among others, in the United States Coraopolis, Pennsylvania Blue Earth, Minnesota Kihei, Hawaii Cave Creek, Arizona The […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-547","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=547"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/547\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}