{"id":5469,"date":"2014-02-13T16:48:08","date_gmt":"2014-02-14T00:48:08","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=5469"},"modified":"2014-02-13T21:54:29","modified_gmt":"2014-02-14T05:54:29","slug":"cd-alan-broadbent-2","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2014\/02\/cd-alan-broadbent-2\/","title":{"rendered":"CD: Alan Broadbent"},"content":{"rendered":"<p><strong>Alan Broadbent<\/strong>, <a href=\"http:\/\/www.amazon.com\/Heart-Solo-Piano-Alan-Broadbent\/dp\/B00CF28X0A\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;keywords=Alan%20Broadbent%20Heart%20To%20Heart&#038;linkCode=ur2&#038;qid=1392356364&#038;s=music&#038;sr=1-1&#038;tag=rifftidougram-20\"target=\"_blank\">Heart to Heart<\/a> (Chilly Bin) <\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/02\/Broadbent-Heart-to-Heart.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/02\/Broadbent-Heart-to-Heart.jpg\" alt=\"Broadbent Heart to Heart\" width=\"150\" height=\"150\" class=\"alignleft size-full wp-image-5470\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/02\/Broadbent-Heart-to-Heart.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2014\/02\/Broadbent-Heart-to-Heart-100x100.jpg 100w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>Broadbent\u00e2\u20ac\u2122s first solo piano album, recorded in 1991, was a highlight of Concord\u00e2\u20ac\u2122s Maybeck series. He has continued to perform with a trio and with Charlie Haden\u00e2\u20ac\u2122s Quartet West, but to many he is known primarily as the arranger-conductor for Diana Krall, Natalie Cole, Michael Feinstein and Paul McCartney. Producer George Fendel thought it was time for Broadbent to again record alone on a superb piano before an appreciative audience, so he presented him in the solo series at Portland\u00e2\u20ac\u2122s Classic Piano store. From Haden\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Hello My Lovely\u00e2\u20ac\u009d to a blazing conclusion with \u00e2\u20ac\u0153Cherokee,\u00e2\u20ac\u009d Broadbent reminds us of his formidable command of the instrument, his harmonic chops and the joy he takes and gives in making music.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alan Broadbent, Heart to Heart (Chilly Bin) Broadbent\u00e2\u20ac\u2122s first solo piano album, recorded in 1991, was a highlight of Concord\u00e2\u20ac\u2122s Maybeck series. He has continued to perform with a trio and with Charlie Haden\u00e2\u20ac\u2122s Quartet West, but to many he is known primarily as the arranger-conductor for Diana Krall, Natalie Cole, Michael Feinstein and Paul [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":5470,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-5469","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-recommendations","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5469","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=5469"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5469\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/5470"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=5469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=5469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=5469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}