{"id":536,"date":"2006-07-04T01:09:00","date_gmt":"2006-07-04T08:09:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=536"},"modified":"2006-07-04T01:09:00","modified_gmt":"2006-07-04T08:09:00","slug":"cd_4","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/07\/cd_4\/","title":{"rendered":"CD"},"content":{"rendered":"<p>Jenny Scheinman, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?link_code=ur2&#038;tag=rifftidougram-20&#038;camp=1789&#038;creative=9325&#038;location=http%3A%2F%2Fwww.amazon.com%2Fgp%2Fproduct%2FB000AY9OPI%2Fqid%3D1151991191%2Fsr%3D2-1%2Fref%3Dpd_bbs_b_2_1%3Fs%3Dmusic%26v%3Dglance%26n%3D5174\"target=\"_blank\"><em>12 Songs<\/em><\/a> (Cryptogramophone). Scheinman is the violinist who mesmerized a <a href=\"http:\/\/www.jazztimes.com\/reviews\/concert_reviews\/detail.cfm?article=10350\"target=\"_blank\">Portland Jazz Festival<\/a> audience earlier this year as a member of guitarist Bill Frisell&#8217;s Unspeakable Orchestra. Frisell is aboard here as a member of Scheinman&#8217;s band, and much, but no means all, of the album&#8217;s energy comes from the sparks flying between the two. The music by her seven-piece band ranges across a number of genres, including calypso, bluegrass-cum-Caribbean, what sounds like a schottische, and dirges. For all its eclecticism and free-ranging nature, the thread of Scheinman&#8217;s personality runs through the twelve pieces. The album&#8217;s charm, cohesiveness and sense of fun lie as much in her canny arranging as in the joyful peformances. I cannot classify this music and won&#8217;t try to, but I&#8217;ve found myself listening to it often.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jenny Scheinman, 12 Songs (Cryptogramophone). Scheinman is the violinist who mesmerized a Portland Jazz Festival audience earlier this year as a member of guitarist Bill Frisell&#8217;s Unspeakable Orchestra. Frisell is aboard here as a member of Scheinman&#8217;s band, and much, but no means all, of the album&#8217;s energy comes from the sparks flying between the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-536","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=536"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/536\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}