{"id":529,"date":"2006-06-21T01:05:00","date_gmt":"2006-06-21T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=529"},"modified":"2006-06-21T01:05:00","modified_gmt":"2006-06-21T08:05:00","slug":"other_places_poolside_jazz","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/06\/other_places_poolside_jazz\/","title":{"rendered":"Other Places: Poolside Jazz"},"content":{"rendered":"<p>A <em>Rifftides<\/em> Reader who identifies himself only as David P. sent a link to his internet radio website, which is called <a href=\"http:\/\/poolsidejazz.blogspot.com\/\"target=\"_blank\"><em>Poolside Jazz: Cooler Than The Cool Side Of The Pillow<\/em><\/a>. The music I heard there in a half-hour visit was cool only in the slang sense. In succession, David P. played Fletcher Henderson&#8217;s &#8220;Queer Notions,&#8221; Gil Evans&#8217; &#8220;The Time of the Barracudas,&#8221; Sonny Rollins&#8217; &#8220;You Don&#8217;t Know What Love Is,&#8221; Dizzy Gillespie&#8217;s &#8220;Woody &#8216;n You,&#8221; Jelly Roll Morton&#8217;s &#8220;Sweetheart &#8216;O Mine&#8221; and Bud Powell with &#8220;Confirmation.&#8221; All hot. All good.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Rifftides Reader who identifies himself only as David P. sent a link to his internet radio website, which is called Poolside Jazz: Cooler Than The Cool Side Of The Pillow. The music I heard there in a half-hour visit was cool only in the slang sense. In succession, David P. played Fletcher Henderson&#8217;s &#8220;Queer [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-529","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/529","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=529"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/529\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=529"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=529"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=529"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}