{"id":5258,"date":"2013-12-01T22:04:58","date_gmt":"2013-12-02T06:04:58","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=5258"},"modified":"2013-12-01T22:44:32","modified_gmt":"2013-12-02T06:44:32","slug":"cd-christian-mcbride","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/12\/cd-christian-mcbride\/","title":{"rendered":"CD: Christian McBride"},"content":{"rendered":"<p><strong>Christian McBride<\/strong> Trio, <a href=\"http:\/\/www.amazon.com\/gp\/product\/B00CP69G1Q\/?ie=UTF8&#038;camp=1789&#038;creative=9325&#038;linkCode=ur2&#038;pf_rd_i=B00DOM266W&#038;pf_rd_m=ATVPDKIKX0DER&#038;pf_rd_p=1535523722&#038;pf_rd_r=1AWF4CYZ0J3YG7DC9MRW&#038;pf_rd_s=lpo-top-stripe-1&#038;pf_rd_t=201&#038;tag=rifftidougram-20\"target=\"_blank\"><em>Out Here<\/em><\/a> (Mack Avenue)<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/12\/C.-McBride-Out-Here.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/12\/C.-McBride-Out-Here.jpg\" alt=\"C. McBride Out Here\" width=\"130\" height=\"130\" class=\"alignleft size-full wp-image-5259\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/12\/C.-McBride-Out-Here.jpg 130w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/12\/C.-McBride-Out-Here-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/12\/C.-McBride-Out-Here-110x110.jpg 110w\" sizes=\"auto, (max-width: 130px) 100vw, 130px\" \/><\/a>Bassist McBride was so accomplished so young, it\u00e2\u20ac\u2122s natural that at 41 he is an elder statesman grooming emerging players. Pianist Christian Sands and drummer Ulysses Owens, Jr., are the impressive young members of McBride\u00e2\u20ac\u2122s new trio, working beautifully with him in all of the areas in which he excels; rhythmic power, melodic inventiveness and unity of purpose. Highlights: the bone-deep swing in Oscar Peterson\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Easy Walker\u00e2\u20ac\u009d and McBride\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Ham Hocks and Cabbage\u00e2\u20ac\u009d and arco playing of exceptional purity by McBride in Richard Rodgers\u00e2\u20ac\u2122 \u00e2\u20ac\u0153I Have Dreamed.\u00e2\u20ac\u009d Unabashedly in the tradition of trios led by Peterson, Billy Taylor, Ray Brown and Jeff Hamilton, McBride meets the high standard they set. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Christian McBride Trio, Out Here (Mack Avenue) Bassist McBride was so accomplished so young, it\u00e2\u20ac\u2122s natural that at 41 he is an elder statesman grooming emerging players. Pianist Christian Sands and drummer Ulysses Owens, Jr., are the impressive young members of McBride\u00e2\u20ac\u2122s new trio, working beautifully with him in all of the areas in which [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-5258","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5258","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=5258"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5258\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=5258"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=5258"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=5258"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}