{"id":5256,"date":"2013-12-01T22:05:42","date_gmt":"2013-12-02T06:05:42","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=5256"},"modified":"2013-12-01T22:03:07","modified_gmt":"2013-12-02T06:03:07","slug":"cd-jeremy-steig-featuring-denny-zeitlin","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/12\/cd-jeremy-steig-featuring-denny-zeitlin\/","title":{"rendered":"CD: Jeremy Steig, Featuring Denny Zeitlin"},"content":{"rendered":"<p><\/a><strong>Jeremy Steig<\/strong>, <a href=\"http:\/\/www.amazon.com\/Flute-Fever-Jeremy-Steig\/dp\/B00EYCMOTA\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;keywords=jeremy%20steig&#038;linkCode=ur2&#038;qid=1385687642&#038;s=music&#038;sr=1-1&#038;tag=rifftidougram-20\"target=\"_blank\"><em>Flute Fever<\/em><\/a> (International Phonograph)<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/12\/Flute-Fever-cover.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/12\/Flute-Fever-cover.jpg\" alt=\"Flute Fever cover\" width=\"130\" height=\"130\" class=\"alignleft size-full wp-image-5257\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/12\/Flute-Fever-cover.jpg 130w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/12\/Flute-Fever-cover-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/12\/Flute-Fever-cover-110x110.jpg 110w\" sizes=\"auto, (max-width: 130px) 100vw, 130px\" \/><\/a><a href=\"http:\/\/www.amazon.com\/Flute-Fever-Jeremy-Steig\/dp\/B00EYCMOTA\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;keywords=jeremy%20steig&#038;linkCode=ur2&#038;qid=1385687642&#038;s=music&#038;sr=1-1&#038;tag=rifftidougram-20\"><\/a>The <em>Rifftides<\/em> campaign for a reissue of the 1963 debut recording of flutist Jeremy Steig and pianist Denny Zeitlin got underway with this observation in <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2005\/12\/zeitgeist.html\"target=\"_blank\"target=\"_blank\">a 2005 post<\/a>:<\/p>\n<blockquote><p>On Sonny Rollins\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Oleo,\u00e2\u20ac\u009d each of them solos with ferocious thrust, chutzpah, swing and\u00e2\u20ac\u201done of the most challenging accomplishments in jazz\u00e2\u20ac\u201da feeling of delirious freedom within the discipline of a harmonic structure.<\/p><\/blockquote>\n<p>Fifty years after it appeared, <em>Flute Fever<\/em> remains one of the finest albums of the second half of the twentieth century, regardless of genre. At last, it is a CD, but Columbia ceded the honor to someone else. Kudos to Jonathan Horwich and International Phonograph. The reproduction of sound, packaging and artwork is flawless. This is a basic repertoire item.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jeremy Steig, Flute Fever (International Phonograph) The Rifftides campaign for a reissue of the 1963 debut recording of flutist Jeremy Steig and pianist Denny Zeitlin got underway with this observation in a 2005 post: On Sonny Rollins\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Oleo,\u00e2\u20ac\u009d each of them solos with ferocious thrust, chutzpah, swing and\u00e2\u20ac\u201done of the most challenging accomplishments in jazz\u00e2\u20ac\u201da [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-5256","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5256","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=5256"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5256\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=5256"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=5256"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=5256"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}