{"id":5229,"date":"2013-11-18T19:43:10","date_gmt":"2013-11-19T03:43:10","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=5229"},"modified":"2013-11-18T19:43:10","modified_gmt":"2013-11-19T03:43:10","slug":"more-on-krall","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/11\/more-on-krall\/","title":{"rendered":"More On Krall"},"content":{"rendered":"<p>It dawned on me this evening that the post below was not the first time that <em>Rifftides<\/em> has<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/11\/Diana-Krall-head-shot.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/11\/Diana-Krall-head-shot.jpg\" alt=\"Diana Krall head shot\" width=\"77\" height=\"84\" class=\"alignright size-full wp-image-5230\" \/><\/a> addressed the question of Diana Krall&#8217;s popularity in the context of arguments about the quality of her artistry. An item from three-and-a-half years ago makes some of the same points. More important, it contains a video clip from a Paris concert that is worth seeing and hearing. It also has a quote from and a link to an astute article about Ms. Krall by the late Gene Lees. To find the May, 2010 post, <a href=\"http:\/\/www.artsjournal.com\/rifftides\/2010\/05\/diana_krall_sellout.html\"target=\"_blank\">click here<\/a>. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>It dawned on me this evening that the post below was not the first time that Rifftides has addressed the question of Diana Krall&#8217;s popularity in the context of arguments about the quality of her artistry. An item from three-and-a-half years ago makes some of the same points. More important, it contains a video clip [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-5229","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5229","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=5229"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5229\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=5229"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=5229"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=5229"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}