{"id":5219,"date":"2013-11-16T12:09:51","date_gmt":"2013-11-16T20:09:51","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=5219"},"modified":"2013-11-16T12:10:45","modified_gmt":"2013-11-16T20:10:45","slug":"listening-tip-the-bbcs-bill-evans-series","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/11\/listening-tip-the-bbcs-bill-evans-series\/","title":{"rendered":"Listening Tip: The BBC&#8217;s Bill Evans Series"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/11\/p01lb3pg.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/11\/p01lb3pg.jpg\" alt=\"p01lb3pg\" width=\"256\" height=\"144\" class=\"alignleft size-full wp-image-5220\" \/><\/a>Pianist, composer and Bill Evans expert <a href=\"http:\/\/www.jackreillyjazz.com\/\">Jack Reilly<\/a> alerts us to a five-part program about Evans. Donald Macleod hosts the <strong>Composer Of The Week<\/strong> series about Evans&#8217;s life, with three of the episodes devoted to his work with Cannonball Adderley, Miles Davis and the producer Helen Keane. The BBC is making the series available on the internet for a short time. The opening segment will be heard for only two more days. The remaining four expire on successive days. To listen to them, <a href=\"http:\/\/www.bbc.co.uk\/programmes\/b006tnxf\/episodes\/guide#b03hjmx4\"target=\"_blank\">Go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pianist, composer and Bill Evans expert Jack Reilly alerts us to a five-part program about Evans. Donald Macleod hosts the Composer Of The Week series about Evans&#8217;s life, with three of the episodes devoted to his work with Cannonball Adderley, Miles Davis and the producer Helen Keane. The BBC is making the series available on [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-5219","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=5219"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5219\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=5219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=5219"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=5219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}