{"id":5165,"date":"2013-10-20T19:37:09","date_gmt":"2013-10-21T02:37:09","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=5165"},"modified":"2013-10-20T19:37:09","modified_gmt":"2013-10-21T02:37:09","slug":"other-matters-hoses-early-autumn-part-2","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/10\/other-matters-hoses-early-autumn-part-2\/","title":{"rendered":"Other Matters: Hoses (Early Autumn, Part 2)"},"content":{"rendered":"<p>It was a fine day for the ritual of draining, coiling, labeling and storing the hoses. The canal has been<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/10\/Hoses-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-5166\" alt=\"Hoses 1\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/10\/Hoses-1.jpg\" width=\"150\" height=\"113\" \/><\/a> dry and the irrigation water off <a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/10\/Hoses-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-5167\" alt=\"Hoses 2\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/10\/Hoses-2.jpg\" width=\"150\" height=\"113\" \/><\/a>since Tuesday. That news is of no importance whatever and has nothing to do with the usual topics of this blog. Hoping to find a connection (hah), I searched for music inspired by hoses and found nothing but a semi-bawdy saloon song that ended up being about a garden hose only after implying that it was about something else. Therefore, we offer a song the<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/10\/Hoses-3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-5168\" alt=\"Hoses 3\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/10\/Hoses-3.jpg\" width=\"150\" height=\"113\" \/><\/a> first syllable of whose title is the word in question. The song, from Harry Belafonte\u00e2\u20ac\u2122s best selling 1956 Calypso album, expresses the elation we felt around here after all those hoses had been stored for the winter.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/vOJEdRAad1I?rel=0\" height=\"355\" width=\"440\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>Stumbling across that track from the Belafonte album was a reminder of what a refreshing presence he was in popular music after he decided to pursue folk music rather than jazz; in an appearance in the late forties he was once backed by the Charlie Parker quintet. <a href=\"http:\/\/www.amazon.com\/Calypso-Harry-Belafonte\/dp\/B000002WF8\/?_encoding=UTF8&amp;camp=1789&amp;creative=9325&amp;linkCode=ur2&amp;tag=rifftidougram-20\" target=\"_blank\">The album<\/a> and its big hit, &#8220;The Banana Boat Song&#8221; (&#8220;Day-oh&#8221;) launched Belafonte into a major career that included film acting as well as singing.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It was a fine day for the ritual of draining, coiling, labeling and storing the hoses. The canal has been dry and the irrigation water off since Tuesday. That news is of no importance whatever and has nothing to do with the usual topics of this blog. Hoping to find a connection (hah), I searched [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-5165","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5165","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=5165"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/5165\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=5165"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=5165"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=5165"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}