{"id":5154,"date":"2013-10-13T11:04:19","date_gmt":"2013-10-13T18:04:19","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=5154"},"modified":"2014-10-31T23:04:40","modified_gmt":"2014-11-01T06:04:40","slug":"reminder-the-paul-desmond-bio-is-now-digital","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/10\/reminder-the-paul-desmond-bio-is-now-digital\/","title":{"rendered":"Reminder: The Paul Desmond Bio Is Now Digital"},"content":{"rendered":"

\"Take-Five-Kindle-Edition\"<\/a>Take Five: The Public and Private Lives of Paul Desmond<\/em> is moving along briskly in its new digital life as an ebook<\/a>. The hardcover edition has sold out. Used copies are going for as much as $335 on book and auction sites, but new clothbound copies are history. The electronic transformation is good news on several counts:<\/p>\n

\u00ef\u20ac\u00bdThe book will continue to be available. For now, it is on Kindle<\/a>. Publisher Malcolm Harris of Parkside Publications tells me that he expects to have it up on Apple and Barnes & Noble soon.<\/p>\n

\u00ef\u20ac\u00bdThe ebook edition has all of the features of the hardbound, including the nearly 200 photographs, the chapter notes, the solo transcriptions, the discography, the extensive index and Dave and Iola Brubeck\u00e2\u20ac\u2122s foreword.<\/p>\n

\u00ef\u20ac\u00bdThe ebook edition is easily portable. The most frequent complaint about the five-pound, 10-and-a-half-by-11-inch original was, \u00e2\u20ac\u0153How am I supposed to read this thing on an airplane?\u00e2\u20ac\u009d Now you can, after the pilot says it\u00e2\u20ac\u2122s okay to fire up your Kindle, iPad, Nook or Sony Reader.<\/p>\n

\u00ef\u20ac\u00bd The ebook sells for less than a third of the list price of the original hardcover edition.<\/p>\n

Among other honors, Take Five: The Public and Private Lives of Paul Desmond<\/em> won an ASCAP Deems Taylor Award and the Jazz Journalists Association Book of the Year Award. Here are a few of its plaudits:<\/p>\n

Scrupulously researched and written with an attractive combination of affection and candor, it casts a bright light on Desmond\u00e2\u20ac\u2122s troubled psyche without devaluing his considerable achievements as an artist. \u00e2\u20ac\u0153Any of the great composers of melodies\u00e2\u20ac\u201dMozart, Schubert, Gershwin\u00e2\u20ac\u201dwould have been gratified to have written what Desmond created spontaneously,\u00e2\u20ac\u009d Mr. Ramsey says. Strong words, but Take Five<\/em> makes them stick. \u00e2\u20ac\u201dTerry Teachout, The Wall Street Journal<\/em><\/strong><\/p><\/blockquote>\n

The telling is lyrical, funny, nostalgic, provocative, and allusive \u00e2\u20ac\u201d just like a Paul Desmond solo.\u00e2\u20ac\u009d\u00e2\u20ac\u00a8 \u00e2\u20ac\u201dGary Giddins, author of Weather Bird: Jazz at the Dawn of its Second Century<\/em><\/strong><\/p><\/blockquote>\n

Doug Ramsey, the saxophonist\u00e2\u20ac\u2122s friend for 20 years before Desmond\u00e2\u20ac\u2122s death in 1977, constructs the full person as well as digging out much more of his writing than was known. A major piece of jazz scholarship, the book cuts no corners. \u00e2\u20ac\u201dBen Ratliff, <\/strong>The New York Times<\/strong><\/em><\/p><\/blockquote>\n

Desmond was fascinated by electronic technology. We can only imagine his delight if he knew that his life story had been digitized. <\/p>\n

\"Brubeck<\/a><\/p>\n

To order the Kindle edition, please go here<\/a>. To listen to Paul sounding the way he looks above, play this video.<\/p>\n