{"id":514,"date":"2006-06-12T01:06:00","date_gmt":"2006-06-12T08:06:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=514"},"modified":"2006-06-12T01:06:00","modified_gmt":"2006-06-12T08:06:00","slug":"cd_2","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/06\/cd_2\/","title":{"rendered":"CD"},"content":{"rendered":"<p>Marc Johnson, <a href=\"http:\/\/www.amazon.com\/gp\/redirect.html?link_code=ur2&#038;tag=rifftidougram-20&#038;camp=1789&#038;creative=9325&#038;location=http%3A%2F%2Fwww.amazon.com%2Fgp%2Fproduct%2FB000AMJEH8%2Fqid%3D1150068213%2Fsr%3D11-1%2Fref%3Dsr_11_1%3Fn%3D5174\"target=\"_blank\"><em>Shades of Jade <\/em><\/a>(ECM). The cast of musicians&#8211;Johnson, Joe Lovano, John Scofield, Eliane Elias, Joey Baron&#8211;might lead you to believe that it&#8217;s an all-star jam session. But it&#8217;s an hour of salon music, carefully conceived, beautifully executed, relaxed with an outr\u00c3\u00a9 tinge, in the ECM fashion. Highlights: Johnson&#8217;s medium-tempo blues &#8220;Blue Nefertiti,&#8221; evoking a Miles Davis-Wayne Shorter mid-sixties mood, and Elias&#8217;s &#8220;Ton Sur Ton.&#8221; If you haven&#8217;t heard Elias&#8217;s piano playing lately, prepare to be impressed.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marc Johnson, Shades of Jade (ECM). The cast of musicians&#8211;Johnson, Joe Lovano, John Scofield, Eliane Elias, Joey Baron&#8211;might lead you to believe that it&#8217;s an all-star jam session. But it&#8217;s an hour of salon music, carefully conceived, beautifully executed, relaxed with an outr\u00c3\u00a9 tinge, in the ECM fashion. Highlights: Johnson&#8217;s medium-tempo blues &#8220;Blue Nefertiti,&#8221; evoking [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-514","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=514"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/514\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}