{"id":50,"date":"2005-07-04T01:05:10","date_gmt":"2005-07-04T08:05:10","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=50"},"modified":"2005-07-04T01:05:10","modified_gmt":"2005-07-04T08:05:10","slug":"new_picks","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/07\/new_picks\/","title":{"rendered":"New Picks"},"content":{"rendered":"<p>Please notice that all of the <em><strong>Doug&#8217;s Picks <\/strong><\/em> entries in the right-hand column are new. What did Shelby Foote have to do with jazz? Nothing that I know of. (If you&#8217;re new here, refer to &#8220;About&#8221; at the top of the right column. And&#8230;welcome aboard. Tell your friends to sign on, please.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Please notice that all of the Doug&#8217;s Picks entries in the right-hand column are new. What did Shelby Foote have to do with jazz? Nothing that I know of. (If you&#8217;re new here, refer to &#8220;About&#8221; at the top of the right column. And&#8230;welcome aboard. Tell your friends to sign on, please.)<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-50","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/50","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=50"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/50\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=50"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=50"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=50"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}