{"id":4949,"date":"2013-07-24T17:08:23","date_gmt":"2013-07-25T00:08:23","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4949"},"modified":"2013-07-24T21:21:08","modified_gmt":"2013-07-25T04:21:08","slug":"astaire-to-the-rescue","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/07\/astaire-to-the-rescue\/","title":{"rendered":"Astaire To The Rescue"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/07\/fred-astaire-1940-everett.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/07\/fred-astaire-1940-everett.jpg\" alt=\"fred-astaire-1940-everett\" width=\"75\" height=\"102\" class=\"alignleft size-full wp-image-4950\" \/><\/a>Article 235, section 17-a of the <em>Web Logger Handbook<\/em>: <\/p>\n<blockquote><p><em>When other duties preclude blogging, inspiration flags or the dog days of summer make you listless and you haven\u00e2\u20ac\u2122t posted lately, just tap dance or play a drum solo.<\/em><\/p><\/blockquote>\n<p>How about both. And how about if I get someone else to do them.<\/p>\n<p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/yTH9VwACh7o\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n<p><p>Fred Astaire from <em><a href=\"http:\/\/www.amazon.com\/Damsel-In-Distress-Fred-Astaire\/dp\/B0058KCMF8\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;linkCode=ur2&#038;tag=rifftidougram-20\"target=\"_blank\">A Damsel in Distress<\/a><\/em>, 1937. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Article 235, section 17-a of the Web Logger Handbook: When other duties preclude blogging, inspiration flags or the dog days of summer make you listless and you haven\u00e2\u20ac\u2122t posted lately, just tap dance or play a drum solo. How about both. And how about if I get someone else to do them. Fred Astaire from [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4949","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4949","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4949"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4949\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4949"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4949"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4949"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}