{"id":4909,"date":"2013-07-09T20:24:29","date_gmt":"2013-07-10T03:24:29","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4909"},"modified":"2013-07-09T21:24:20","modified_gmt":"2013-07-10T04:24:20","slug":"cd-cecile-mclorin-salvant","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/07\/cd-cecile-mclorin-salvant\/","title":{"rendered":"CD: C\u00c3\u00a9cile McLorin Salvant"},"content":{"rendered":"<p><strong>C\u00c3\u00a9cile McLorin Salvant<\/strong>, <a href=\"http:\/\/www.amazon.com\/gp\/product\/B00BKU9ZFU\/?ie=UTF8&#038;camp=1789&#038;creative=9325&#038;linkCode=ur2&#038;pf_rd_i=B004A1U6EU&#038;pf_rd_m=ATVPDKIKX0DER&#038;pf_rd_p=1535523722&#038;pf_rd_r=0PFWC4ZHCZPEK4BN4HF9&#038;pf_rd_s=lpo-top-stripe-1&#038;pf_rd_t=201&#038;tag=rifftidougram-20\"><em>Woman Child<\/em><\/a> (Mack Avenue)<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/07\/Savant-Woman-Child.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/07\/Savant-Woman-Child.jpg\" alt=\"Savant Woman Child\" width=\"150\" height=\"150\" class=\"alignleft size-full wp-image-4910\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/07\/Savant-Woman-Child.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/07\/Savant-Woman-Child-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/07\/Savant-Woman-Child-110x110.jpg 110w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><a href=\"http:\/\/www.artsjournal.com\/rifftides\/2012\/11\/cecile-mclorin-salvant.html\"target=\"_blank\">In this November post<\/a>, I observed that it was going to take a while to catch up with C\u00c3\u00a9cile McLorin Salvant. It will take a while longer because she is moving fast, but her first CD portrays a singer who has emerged in her early twenties full of talent, versatility, taste and rare artistic judgment. With pianist Aaron Diehl\u00e2\u20ac\u2122s trio, Salvant is unfailingly on target interpreting a collection of 12 dissimilar songs. She is equally affecting in her moody \u00e2\u20ac\u0153Woman Child\u00e2\u20ac\u009d the felicities of Fats Waller\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Jitterbug Waltz\u00e2\u20ac\u009d and the dramatic folk ballad \u00e2\u20ac\u0153John Henry.\u00e2\u20ac\u009d Diehl, bassist Rodney Whitaker and drummer Herlin Riley are ideal in support and solo. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u00c3\u00a9cile McLorin Salvant, Woman Child (Mack Avenue) In this November post, I observed that it was going to take a while to catch up with C\u00c3\u00a9cile McLorin Salvant. It will take a while longer because she is moving fast, but her first CD portrays a singer who has emerged in her early twenties full of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-4909","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4909"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4909\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}