{"id":4905,"date":"2013-07-09T20:27:24","date_gmt":"2013-07-10T03:27:24","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4905"},"modified":"2013-07-09T20:27:24","modified_gmt":"2013-07-10T03:27:24","slug":"cd-keith-jarrett","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/07\/cd-keith-jarrett\/","title":{"rendered":"CD: Keith Jarrett"},"content":{"rendered":"<p><strong>Keith Jarrett, Gary Peacock, Jack DeJohnette<\/strong>, <a href=\"http:\/\/www.amazon.com\/Somewhere-Keith-Jarrett\/dp\/B00BY1F8UQ\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;keywords=keith%20jarrett%20somewhere&#038;linkCode=ur2&#038;qid=1373400973&#038;s=music&#038;sr=1-1&#038;tag=rifftidougram-20\"><em>Somewhere<\/em><\/a> (ECM)<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/07\/Jarrett-Somewhere.jpg\"target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/07\/Jarrett-Somewhere.jpg\" alt=\"Jarrett Somewhere\" width=\"150\" height=\"150\" class=\"alignleft size-full wp-image-4906\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/07\/Jarrett-Somewhere.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/07\/Jarrett-Somewhere-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/07\/Jarrett-Somewhere-110x110.jpg 110w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>The first release in four years by Jarrett\u00e2\u20ac\u2122s Standards Trio captures interaction among the pianist, bassist Peacock and drummer DeJohnette that is like the activity of one mind. Their exploration of Leonard Bernstein\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Somewhere\u00e2\u20ac\u009d melds into \u00e2\u20ac\u0153Everywhere,\u00e2\u20ac\u009d a mantra that builds hypnotic fascination. In the quirkiness of his fragmented first bars of \u00e2\u20ac\u0153Between The Devil and the Deep Blue Sea\u00e2\u20ac\u009d and his unaccompanied ruminations leading into \u00e2\u20ac\u0153Solar,\u00e2\u20ac\u009d Jarrett is as adventurous as in one of his celebrated solo concerts. Peacock and DeJohnette also have imposing solo moments, but in the end it\u00e2\u20ac\u2122s the irresistible unity of the trio that inspires ecstatic response from the audience in Lucerne\u00e2\u20ac\u2122s KKL hall.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Keith Jarrett, Gary Peacock, Jack DeJohnette, Somewhere (ECM) The first release in four years by Jarrett\u00e2\u20ac\u2122s Standards Trio captures interaction among the pianist, bassist Peacock and drummer DeJohnette that is like the activity of one mind. Their exploration of Leonard Bernstein\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Somewhere\u00e2\u20ac\u009d melds into \u00e2\u20ac\u0153Everywhere,\u00e2\u20ac\u009d a mantra that builds hypnotic fascination. In the quirkiness of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-4905","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4905","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4905"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4905\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4905"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4905"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4905"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}