{"id":481,"date":"2006-05-11T01:04:30","date_gmt":"2006-05-11T08:04:30","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=481"},"modified":"2006-05-11T01:04:30","modified_gmt":"2006-05-11T08:04:30","slug":"compatible_quotes_12","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/05\/compatible_quotes_12\/","title":{"rendered":"Compatible Quotes"},"content":{"rendered":"<blockquote><p>It seems to me that most people are impressed with just three things: how fast you can play, how high you can play, and how loud you can play. I find this a little exasperating, but I&#8217;m a lot more experienced now, and understand that probably less than two percent of the public can really hear. I mean follow a horn player through his ideas, and be able to understand those ideas in relation to the changes.<br \/>\n\u00e2\u20ac\u201dChet Baker<\/p><\/blockquote>\n<blockquote><p>Whether I get adequate attention or not, people here do know the work I have been doing systematically and without compromise for over 40 years. I get tired of people making excuses for guys who don&#8217;t continue the art because they can&#8217;t make a living.<br \/>\n\u00e2\u20ac\u201dBill Dixon<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>It seems to me that most people are impressed with just three things: how fast you can play, how high you can play, and how loud you can play. I find this a little exasperating, but I&#8217;m a lot more experienced now, and understand that probably less than two percent of the public can really [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-481","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=481"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/481\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=481"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}