{"id":4801,"date":"2013-06-02T17:25:52","date_gmt":"2013-06-03T00:25:52","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4801"},"modified":"2013-06-02T17:30:20","modified_gmt":"2013-06-03T00:30:20","slug":"sunday-fun","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/06\/sunday-fun\/","title":{"rendered":"Sunday Fun"},"content":{"rendered":"<p>\u00e2\u20ac\u0153Groovin\u00e2\u20ac\u2122 High\u00e2\u20ac\u009d: James Moody, alto saxophone; Al Haig, piano; Ray Brown, bass; Kenny Clarke, drums. <\/p>\n<p>\n<div style=\"text-align: center;\"> <iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/PKjHytzMQOg?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n<p><p>That is from a PBS Sound Stage program, <em>Dizzy Gillespie\u00e2\u20ac\u2122s Bebop Reunion 1975<\/em>. Gillespie sat out one of his most famous compositions, but there is plenty of him in <a href=\" http:\/\/www.youtube.com\/watch?v=7ciX2eo5VFs&#038;feature=endscreen\"target=\"_blank\">the complete show<\/a>, along with Moody, Milt Jackson, Sarah Vaughan, Joe Carroll and that incomparable rhythm section. <\/p>\n<p><p>Happy Sunday <\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00e2\u20ac\u0153Groovin\u00e2\u20ac\u2122 High\u00e2\u20ac\u009d: James Moody, alto saxophone; Al Haig, piano; Ray Brown, bass; Kenny Clarke, drums. That is from a PBS Sound Stage program, Dizzy Gillespie\u00e2\u20ac\u2122s Bebop Reunion 1975. Gillespie sat out one of his most famous compositions, but there is plenty of him in the complete show, along with Moody, Milt Jackson, Sarah Vaughan, Joe [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4801","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4801"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4801\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4801"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}