{"id":4768,"date":"2013-05-21T11:08:46","date_gmt":"2013-05-21T18:08:46","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4768"},"modified":"2013-05-21T11:08:46","modified_gmt":"2013-05-21T18:08:46","slug":"unburied-treasure-chick-corea-trio","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/05\/unburied-treasure-chick-corea-trio\/","title":{"rendered":"Unburied Treasure: Chick Corea Trio"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/05\/Corea-head-shot.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/05\/Corea-head-shot.jpg\" alt=\"Corea head shot\" width=\"90\" height=\"87\" class=\"alignleft size-full wp-image-4769\" \/><\/a>The East Room audience included Mrs. Ronald Reagan, Vice President and Mrs. George Bush and a cross section of Reagan administration dignitaries when Chick Corea, Miroslav Vitous and Roy Haynes played at the White House in 1982. <\/p>\n<div style=\"text-align: center;\"> <iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/8OJyVXXWwDc?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>The East Room audience included Mrs. Ronald Reagan, Vice President and Mrs. George Bush and a cross section of Reagan administration dignitaries when Chick Corea, Miroslav Vitous and Roy Haynes played at the White House in 1982.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4768","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4768"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4768\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}