{"id":474,"date":"2006-05-17T01:05:00","date_gmt":"2006-05-17T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=474"},"modified":"2006-05-17T01:05:00","modified_gmt":"2006-05-17T08:05:00","slug":"another_approach","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/05\/another_approach\/","title":{"rendered":"Another Approach"},"content":{"rendered":"

Coincidentally, on the heels of yesterday’s Rifftides<\/em> piece<\/a> about the Legends Of Jazz<\/em> television series, an e-mail message alerted me to a video performance that demonstrates the visual restraint, taste and directorial discretion that is missing in the Legends<\/em> series. It is a solo piano performance by Denny Zeitlin of “What Is This Thing Called Love,” preceded by a few minutes of free playing as an introduction. It was videotaped at the 1983 Berlin Jazz Festival, with Zeitlin at a C. Bechstein concert grand.
\nJust as good writing should make the reader forget that he’s holding a book, good television presentation of music should make the viewer forget that he’s watching television. In the Zeitlin video, the setting, lighting, camera work and director’s shot changes are in partnership with the music, never calling attention to themselves or to production values. Even a cutaway shot of the Bechstein’s inner working makes sense with the improvisation. Pianists interested in Zeitlin’s technique are rewarded with sequences of his long fingers at work, the keyboard shot at a perfect angle for study. Since the subject here is not Zeitlin’s playing, suffice it to say that his improvisation is brilliant. Listen for the recurring Coltrane reference.
\nThe only distracting notes come not from Zeitlin’s piano but from visual plugs for his latest solo album and his website.They momentarily fill the screen while he’s playing and break the spell. It is a minor flaw, but a crucially placed minor flaw. Commerce would have been served less jarringly when the music ends. But it is Zeitlin’s website and his call. To view the video, go here<\/a> and look for the download instructions for Windows, Mac or iPod. With a broadband connection, the download takes more than a minute.
\nThe full-screen option results in a slight loss of visual quality, but I found that expanding the picture, moving back a few feet from the monitor and cranking up the sound gives a sense almost of being there. To make the picture bigger, click on the box to the left of the X in the upper right corner of the realPlayer window.<\/p>\n","protected":false},"excerpt":{"rendered":"

Coincidentally, on the heels of yesterday’s Rifftides piece about the Legends Of Jazz television series, an e-mail message alerted me to a video performance that demonstrates the visual restraint, taste and directorial discretion that is missing in the Legends series. It is a solo piano performance by Denny Zeitlin of “What Is This Thing Called […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-474","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=474"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/474\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}