{"id":4706,"date":"2013-04-29T00:20:49","date_gmt":"2013-04-29T07:20:49","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4706"},"modified":"2013-04-28T23:00:27","modified_gmt":"2013-04-29T06:00:27","slug":"lilacs-in-the-wind","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/04\/lilacs-in-the-wind\/","title":{"rendered":"Lilacs In The Wind"},"content":{"rendered":"<p>This spring, the lilacs seem to have blossomed a bit earlier than usual. They are everywhere in this big valley, in shades from snow white to purple so deep it\u00e2\u20ac\u2122s almost black. We have three banks of lilac bushes In our south 40. The one at the bottom end is the biggest and most glorious. Here are a couple of glimpses. Unfortunately, I can\u00e2\u20ac\u2122t offer you the aroma.<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/04\/Lilacs-2013-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-4707\" alt=\"Lilacs 2013 # 1\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/04\/Lilacs-2013-1.jpg\" width=\"250\" height=\"188\" \/><\/a><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/04\/Lilacs-2013-4.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-4708\" alt=\"Lilacs 2013 #4\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/04\/Lilacs-2013-4.jpg\" width=\"239\" height=\"188\" \/><\/a><\/p>\n<p>What does this have to with jazz? It needn\u00e2\u20ac\u2122t have anything to do with it; the subtitle of the blog is, \u00e2\u20ac\u0153\u00e2\u20ac\u00a6on jazz and other matters.\u00e2\u20ac\u009d But if you insist, we can work out a connection. We don&#8217;t have much rain around here now, which is fine with fruit growers worried about blossom damage. We have high winds sweeping down off the Cascade Mountains, which is not fine with cyclists and runners.<\/p>\n<p>So, here&#8217;s the somewhat strained connection to the title of this post, which has some of the same words as the name of the song. \u00e2\u20ac\u0153Lilacs in the Rain is a splendid popular song from the late 1930s. It was written by Peter DeRose as a piano piece. Mitchell Parish, the lyricist of \u00e2\u20ac\u0153Stardust,\u00e2\u20ac\u009d added words. The song became a hit, giving DeRose three hits in 1939. The other two were \u00e2\u20ac\u0153Deep Purple\u00e2\u20ac\u009d and \u00e2\u20ac\u0153The Lamp is Low.\u00e2\u20ac\u009d Several people recorded \u00e2\u20ac\u0153Lilacs in the Rain\u00e2\u20ac\u009d that year, including the bands of Charlie Barnet and Bob Crosby, the latter with Crosby\u00e2\u20ac\u2122s vocal. As far as I know, Bob\u00e2\u20ac\u2122s brother did not make a commercial recording of the piece but, trust me, Bing sang it better. Here he is in a recently discovered air check from his <em>Kraft Music Hall<\/em> radio program.<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/O0EOzzIF-04?rel=0\" height=\"355\" width=\"440\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>\nThe arranger (John Scott Trotter?) deserves mention for those hip little interludes he placed in the 16 instrumental bars between Crosby&#8217;s first and final choruses.<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/04\/Counce-Quintet.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-4709\" alt=\"Counce Quintet\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/04\/Counce-Quintet.jpg\" width=\"268\" height=\"188\" \/><\/a><\/p>\n<p>Over the next 25 or 30 years, many people recorded the song, among them artists as diverse as CarmenMcRae, the doowop vocal group The Ravens, Junior Mance and Carl Perkins\u00e2\u20ac\u201dnot the \u00e2\u20ac\u0153Blue Suede Shoes\u00e2\u20ac\u009d Carl Perkins, but the pianist who was an important part of jazz on the west coast in the 1950s. Perkins played with Chet Baker, Harold Land, Dexter Gordon, Buddy DeFranco and the Max Roach-Clifford Brown group, among others. We see him here at a club date in Vancouver, BC, with the Curtis Counce quintet, between bassist Counce and tenor saxophonist Land. Frank Butler is on drums, Jack Sheldon on Trumpet.<\/p>\n<p>Perkins\u00e2\u20ac\u2122s \u00e2\u20ac\u0153Lilacs in the Rain\u00e2\u20ac\u009d is on <a href=\"http:\/\/www.amazon.com\/Introducing-Carl-Perkins\/dp\/B000026ET7\/?_encoding=UTF8&amp;camp=1789&amp;creative=9325&amp;keywords=Carl%20Perkins%20piano&amp;linkCode=ur2&amp;qid=1367207592&amp;s=music&amp;sr=1-1&amp;tag=rifftidougram-20\" target=\"_blank\">the one album<\/a> he made as a leader. The bassist is Leroy Vinnegar, the drummer Larance Marable.<\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/SGe486iCvMw?rel=0\" height=\"355\" width=\"440\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/div>\n<p><p>Perkins died in 1958 at the age of 29.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This spring, the lilacs seem to have blossomed a bit earlier than usual. They are everywhere in this big valley, in shades from snow white to purple so deep it\u00e2\u20ac\u2122s almost black. We have three banks of lilac bushes In our south 40. The one at the bottom end is the biggest and most glorious. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4706","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4706"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4706\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}