{"id":4661,"date":"2013-04-14T23:43:22","date_gmt":"2013-04-15T06:43:22","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4661"},"modified":"2013-04-14T23:43:22","modified_gmt":"2013-04-15T06:43:22","slug":"a-rare-trio","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/04\/a-rare-trio\/","title":{"rendered":"A Rare Trio"},"content":{"rendered":"<p><em>Rifftides<\/em> readers in the New York metropolitan area, or planning to visit it, may care to make note of an unusual performance coming up this week. Soprano saxophonist Bill Kirchner, pianist Marc Copland and vocalist Carol Fredette will make a rare collaborative appearance on Wednesday evening, April 17, at <a href=\"http:\/\/www.theplayersnyc.org\/Getting_Here.html\"target=\"_blank\">The Players<\/a>. Ordinarily, the private club on Gramercy Park South is open only to members, but membership is not required for this occasion. <a href=\"http:\/\/www.jazzmuseuminharlem.org\/events.php\"target=\"_blank\">The National Jazz Museum in Harlem<\/a>, co-sponsor of the event, posted comments about the musicians:<\/p>\n<blockquote>\n<div style=\"text-align: center;\"><strong>Jazz at the Players<\/strong><\/iframe><\/div>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/04\/Kirchner.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/04\/Kirchner.jpg\" alt=\"Kirchner\" width=\"90\" height=\"138\" class=\"alignleft size-full wp-image-4662\" \/><\/a>&#8220;Bill Kirchner is one of those rare musicians who is able to synthesize an awareness of the past with his own voice, taking jazz in new directions that are firmly based on tradition.&#8221;&#151;Benny Carter<br \/>\n<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/04\/Fredette.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/04\/Fredette.jpg\" alt=\"Fredette\" width=\"90\" height=\"130\" class=\"alignright size-full wp-image-4663\" \/><\/a><br \/>\n&#8220;Carol Fredette is everything you need in a jazz singer. She thinks, swings and phrases like a creative instrumentalist, yet her way with words captures the essence of a lyric.&#8221;&#151;Dan Morgenstern, author, jazz historian, critic<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/04\/Marc-Copland.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/04\/Marc-Copland.jpg\" alt=\"Marc Copland\" width=\"90\" height=\"115\" class=\"alignleft size-full wp-image-4664\" \/><\/a>On Marc Copland &#8220;A quiet giant of his instrument&#8230;the stuff of legend.&#8221;&#151;<em>All About Jazz.com<\/em><\/p><\/blockquote>\n<p>To my knowledge, no recording exists of Kirchner, Fredette and Copland together. Perhaps one will materialize from the Players gig. In the meantime, here\u00e2\u20ac\u2122s Copland with a solo version of Don Sebesky\u00e2\u20ac\u2122s \u00e2\u20ac\u0153You Can\u00e2\u20ac\u2122t Go Home Again\u00e2\u20ac\u009d from the pianist\u00e2\u20ac\u2122s album <a href=\"http:\/\/www.amazon.com\/Time-Within-Marc-Copland\/dp\/B0009MZ5EA\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;linkCode=ur2&#038;tag=rifftidougram-20\"target=\"_blank\">Time Within Time<\/a>.<\/p>\n<div style=\"text-align: center;\"> <iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/aIy-0hUJv4o?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe> <\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Rifftides readers in the New York metropolitan area, or planning to visit it, may care to make note of an unusual performance coming up this week. Soprano saxophonist Bill Kirchner, pianist Marc Copland and vocalist Carol Fredette will make a rare collaborative appearance on Wednesday evening, April 17, at The Players. Ordinarily, the private club [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4661","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4661","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4661"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4661\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4661"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4661"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4661"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}