{"id":4542,"date":"2013-03-17T00:13:23","date_gmt":"2013-03-17T07:13:23","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4542"},"modified":"2013-03-17T16:09:41","modified_gmt":"2013-03-17T23:09:41","slug":"cd-ron-miles","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/03\/cd-ron-miles\/","title":{"rendered":"CD: Ron Miles"},"content":{"rendered":"<p><strong>Ron Miles<\/strong>: <a href=\"http:\/\/www.amazon.com\/Quiver-Ron-Miles\/dp\/B008OJ295I\/?_encoding=UTF8&#038;camp=1789&#038;creative=9325&#038;linkCode=ur2&#038;tag=rifftidougram-20\"target=\"_blank\"><em>Quiver<\/em><\/a> (enja yellow bird)<\/p>\n<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/03\/Ron-Miles-Quiver.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/03\/Ron-Miles-Quiver.jpg\" alt=\"Ron Miles Quiver\" width=\"110\" height=\"101\" class=\"alignleft size-full wp-image-4543\" \/><\/a>Miles\u00e2\u20ac\u2122s playing on \u00e2\u20ac\u0153There Ain\u00e2\u20ac\u2122t No Sweet Man Worth the Salt of My Tears\u00e2\u20ac\u009d draws 21st century Denver and 1928 Chicago close. Some of his flurries of wildness on this album are as daring as the work of any modern trumpeter, but the Bix Beiderbecke lyricism in Miles\u00e2\u20ac\u2122s soul extends into everything he plays. With just Bill Frisell\u00e2\u20ac\u2122s guitar and Brian Blade&#8217;s drums, Miles may seem to be operating lean. No, there is richness in their harmonic inventiveness and rhythmic compatibility. The nine pieces are not officially a suite, but unity of conception runs through the performances. This is a satisfying album.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ron Miles: Quiver (enja yellow bird) Miles\u00e2\u20ac\u2122s playing on \u00e2\u20ac\u0153There Ain\u00e2\u20ac\u2122t No Sweet Man Worth the Salt of My Tears\u00e2\u20ac\u009d draws 21st century Denver and 1928 Chicago close. Some of his flurries of wildness on this album are as daring as the work of any modern trumpeter, but the Bix Beiderbecke lyricism in Miles\u00e2\u20ac\u2122s soul [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-4542","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-recommendations","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4542"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4542\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}