{"id":4536,"date":"2013-03-10T13:14:56","date_gmt":"2013-03-10T20:14:56","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4536"},"modified":"2013-03-10T13:14:56","modified_gmt":"2013-03-10T20:14:56","slug":"weekend-extra-michael-brecker","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/03\/weekend-extra-michael-brecker\/","title":{"rendered":"Weekend Extra: Michael Brecker"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/03\/Michael-Brecker-1990.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/03\/Michael-Brecker-1990.jpg\" alt=\"Michael Brecker 1990\" width=\"110\" height=\"103\" class=\"alignright size-full wp-image-4537\" \/><\/a>Just because:<\/p>\n<div style=\"text-align: center;\">Michael Brecker, tenor saxophone<\/iframe><\/div>\n<div style=\"text-align: center;\">Joey Calderazzo, piano<\/iframe><\/div>\n<div style=\"text-align: center;\">Jay Anderson, bass<\/iframe><\/div>\n<div style=\"text-align: center;\">Adam Nussbaum, drums<\/iframe><\/div>\n<div style=\"text-align: center;\">\u00e2\u20ac\u0153Peep\u00e2\u20ac\u009d<\/iframe><\/div>\n<p>\n<div style=\"text-align: center;\">Juan Le Pins Jazz Festival, 1990<\/iframe><\/div>\n<p>\n<div style=\"text-align: center;\"> <iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/4-3Mk0kgfX4?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Just because: Michael Brecker, tenor saxophone Joey Calderazzo, piano Jay Anderson, bass Adam Nussbaum, drums \u00e2\u20ac\u0153Peep\u00e2\u20ac\u009d Juan Le Pins Jazz Festival, 1990<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4536","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4536"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4536\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}