{"id":4473,"date":"2013-02-19T00:24:57","date_gmt":"2013-02-19T08:24:57","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4473"},"modified":"2013-02-18T22:27:29","modified_gmt":"2013-02-19T06:27:29","slug":"other-places-airegin-in-triplicate","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/02\/other-places-airegin-in-triplicate\/","title":{"rendered":"Other Places: &#8220;Airegin&#8221; In Triplicate"},"content":{"rendered":"<p>Blogger and trumpeter Bruno Leicht (pictured) posts a video-laden retrospective of the imperishable Sonny<a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/02\/Bruno-Leicht-Facing-left.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/02\/Bruno-Leicht-Facing-left.jpg\" alt=\"Bruno Leicht Facing left\" width=\"100\" height=\"79\" class=\"alignright size-full wp-image-4474\" \/><\/a> Rollins creation &#8220;Airegin&#8221; in three manifestations involving the composer, Miles Davis, John Coltrane, Stan Getz, Chet Baker and great rhythm sections. What a tune.<\/p>\n<p>Recommended. To see it, <a href=\"http:\/\/brewlitesjazztales.wordpress.com\/2013\/02\/19\/sonny-rollins-airegin-is-about-origin-is-about-oxygen-is-about-nigeria\/\"target=\"_blank\">go here<\/a>.  <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Blogger and trumpeter Bruno Leicht (pictured) posts a video-laden retrospective of the imperishable Sonny Rollins creation &#8220;Airegin&#8221; in three manifestations involving the composer, Miles Davis, John Coltrane, Stan Getz, Chet Baker and great rhythm sections. What a tune. Recommended. To see it, go here.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4473","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4473"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4473\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}