{"id":444,"date":"2006-04-14T13:33:34","date_gmt":"2006-04-14T20:33:34","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=444"},"modified":"2006-04-14T13:33:34","modified_gmt":"2006-04-14T20:33:34","slug":"petrucciani_on_applause_death","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/04\/petrucciani_on_applause_death\/","title":{"rendered":"Petrucciani On Applause, Death, Music"},"content":{"rendered":"<p>While I was away in the tulip fields, <a href=\"http:\/\/theovergrownpath.blogspot.com\/2006\/04\/watch-michel-petrucciani-video-online.html\"target=\"_blank\"><em>On An Overgrown Path<\/em><\/a> posted a piece on the late Michel Petrucciani. It includes a link to a thirty-eight-minute video about the pianist. In it, Petrucciani talks about his aversion to applause, his fear of death, his love of the piano. It&#8217;s an important film. Visit <em>On An Overgrown Path<\/em>, then come back, please.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>While I was away in the tulip fields, On An Overgrown Path posted a piece on the late Michel Petrucciani. It includes a link to a thirty-eight-minute video about the pianist. In it, Petrucciani talks about his aversion to applause, his fear of death, his love of the piano. It&#8217;s an important film. Visit On [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-444","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=444"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/444\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=444"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=444"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}