{"id":44,"date":"2005-07-12T01:05:00","date_gmt":"2005-07-12T08:05:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=44"},"modified":"2005-07-12T01:05:00","modified_gmt":"2005-07-12T08:05:00","slug":"a_visit_with_jerry","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2005\/07\/a_visit_with_jerry\/","title":{"rendered":"A Visit With Jerry"},"content":{"rendered":"<p><a href=\"http:\/\/www.jerryjazzmusician.com\/mainHTML.cfm?page=ramsey.html\"target=\"_blank\"><em>Jerry Jazz Musician<\/em><\/a> has a long interview with the author about <em>Take Five: The Public and Private Lives of Paul Desmond<\/em>. He incorporates photographs and sound clips. While you&#8217;re there, roam around the <em>JJM <\/em>site and see all the good things he&#8217;s up to, but don&#8217;t forget to return to <em>Rifftides<\/em>. Please bring friends back with you.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jerry Jazz Musician has a long interview with the author about Take Five: The Public and Private Lives of Paul Desmond. He incorporates photographs and sound clips. While you&#8217;re there, roam around the JJM site and see all the good things he&#8217;s up to, but don&#8217;t forget to return to Rifftides. Please bring friends back [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-44","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/44","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=44"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/44\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=44"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=44"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}