{"id":4392,"date":"2013-01-19T21:08:35","date_gmt":"2013-01-20T05:08:35","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4392"},"modified":"2013-01-20T06:57:47","modified_gmt":"2013-01-20T14:57:47","slug":"other-places-coltrane-on-jazz-profiles","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2013\/01\/other-places-coltrane-on-jazz-profiles\/","title":{"rendered":"Other Places: Coltrane On &#8220;Jazz Profiles&#8221;"},"content":{"rendered":"<p>Readers of jazz web logs know that one of the most consistently informative and satisfying blogs is Steve Cerra\u00e2\u20ac\u2122s <em>Jazz Profiles<\/em>. Steve specializes in pieces about important <img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-4393\" alt=\"John Coltrane = Prestige Jazz Profiles -01\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/01\/John-Coltrane-Prestige-Jazz-Profiles-01.jpg\" width=\"200\" height=\"201\" srcset=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/01\/John-Coltrane-Prestige-Jazz-Profiles-01.jpg 200w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/01\/John-Coltrane-Prestige-Jazz-Profiles-01-150x150.jpg 150w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/01\/John-Coltrane-Prestige-Jazz-Profiles-01-70x70.jpg 70w, https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2013\/01\/John-Coltrane-Prestige-Jazz-Profiles-01-110x110.jpg 110w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>musicians from all eras and styles. He complements them with sidebar features and bolsters them with inventive videos combining music with graphics that tell a story. His current feature is about John Coltrane\u00e2\u20ac\u2122s recordings for the Prestige label. He chose to make my essay in the massive Prestige Coltrane box set the primary text of the piece.<\/p>\n<p>The accompanying sidebar is an interview from several months ago in which Steve\u00e2\u20ac\u2122s skillful questions got me to talking about people and events from my past. He even persuaded me to name \u00e2\u20ac\u0153favorites,\u00e2\u20ac\u009d something I thought I had sworn long ago to avoid.<\/p>\n<p>But the Coltrane essay is the main event, and Steve includes an illustrated video whose sound track is Trane\u00e2\u20ac\u2122s lovely ballad performance of \u00e2\u20ac\u0153Time After Time.\u00e2\u20ac\u009d To see and hear Steve Cerra&#8217;s Coltrane <em>Jazz Profile<\/em>, <a href=\"http:\/\/jazzprofiles.blogspot.com\/\">go here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Readers of jazz web logs know that one of the most consistently informative and satisfying blogs is Steve Cerra\u00e2\u20ac\u2122s Jazz Profiles. Steve specializes in pieces about important musicians from all eras and styles. He complements them with sidebar features and bolsters them with inventive videos combining music with graphics that tell a story. His current [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":4393,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4392","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-main","8":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4392"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4392\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media\/4393"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}