{"id":430,"date":"2006-03-31T10:35:10","date_gmt":"2006-03-31T18:35:10","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=430"},"modified":"2006-03-31T10:35:10","modified_gmt":"2006-03-31T18:35:10","slug":"compatible_quotes_9","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/03\/compatible_quotes_9\/","title":{"rendered":"Compatible Quotes"},"content":{"rendered":"<blockquote><p>When a voice behind me whispered low,<br \/>\n&#8216;That fellow&#8217;s got to swing.&#8217;<br \/>\n\u00e2\u20ac\u201dOscar Wilde, <em>H\u00c3\u00a9las<\/em> (1903)<\/p><\/blockquote>\n<blockquote><p>It don\u00e2\u20ac\u2122t mean a thing if it ain\u00e2\u20ac\u2122t got that swing.<br \/>\n\u00e2\u20ac\u201dDuke Ellington (1932)<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>When a voice behind me whispered low, &#8216;That fellow&#8217;s got to swing.&#8217; \u00e2\u20ac\u201dOscar Wilde, H\u00c3\u00a9las (1903) It don\u00e2\u20ac\u2122t mean a thing if it ain\u00e2\u20ac\u2122t got that swing. \u00e2\u20ac\u201dDuke Ellington (1932)<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-430","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/430","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=430"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/430\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=430"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=430"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=430"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}