{"id":4296,"date":"2012-12-11T12:39:53","date_gmt":"2012-12-11T20:39:53","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4296"},"modified":"2012-12-11T12:39:53","modified_gmt":"2012-12-11T20:39:53","slug":"other-places-2-konitz-on-bird","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/12\/other-places-2-konitz-on-bird\/","title":{"rendered":"Other Places (2): Konitz On Bird"},"content":{"rendered":"<p><a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/12\/Bird-cover.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/12\/Bird-cover.jpg\" alt=\"\" title=\"Bird cover\" width=\"105\" height=\"78\" class=\"alignleft size-full wp-image-4297\" \/><\/a>On his New England Public Radio blog, Tom Reney&#8217;s new post on Charlie Parker includes Lee Konitz material for which he credits <em>Rifftides<\/em>. I thank Tom, but I thank him more for including a clip of Lee Konitz talking about what it was like to work and travel with Bird in their mutual Stan Kenton days of the 1950s. To hear Konitz on Parker, <a href=\"http:\/\/www.nepr.net\/blog\/synchronistic-birdlore\"target=\"_blank\">go here<\/a>. The clip is at the end of the piece.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On his New England Public Radio blog, Tom Reney&#8217;s new post on Charlie Parker includes Lee Konitz material for which he credits Rifftides. I thank Tom, but I thank him more for including a clip of Lee Konitz talking about what it was like to work and travel with Bird in their mutual Stan Kenton [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4296","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4296"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4296\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}