{"id":4291,"date":"2012-12-09T14:32:05","date_gmt":"2012-12-09T22:32:05","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/?p=4291"},"modified":"2012-12-09T14:32:05","modified_gmt":"2012-12-09T22:32:05","slug":"brubeck-things-aint-what-they-used-to-be","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2012\/12\/brubeck-things-aint-what-they-used-to-be\/","title":{"rendered":"Brubeck: Things Ain&#8217;t What They Used To Be"},"content":{"rendered":"<p>With Dave Brubeck\u00e2\u20ac\u2122s passing, interesting bits of arcana about his life and music are rising to the surface. BBC Radio 4 replayed a portion of an interview from 2000 on the network\u00e2\u20ac\u2122s <em>Front Row<\/em> program with John Wilson. Brubeck tells Wilson about the role of vitamin B-6 in saving his hands and the unusual use of a bungee cord in his exercise routine. He illustrates polytonality <a href=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/12\/Brubeck-Mulligan.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.artsjournal.com\/rifftides\/wp\/wp-content\/uploads\/2012\/12\/Brubeck-Mulligan.jpg\" alt=\"\" title=\"Brubeck &amp; Mulligan\" width=\"150\" height=\"114\" class=\"alignleft size-full wp-image-4292\" \/><\/a>by playing a bit of Duke Ellington&#8217;s \u00e2\u20ac\u0153Things Ain\u00e2\u20ac\u2122t What They Used To Be\u00e2\u20ac\u009d in C and E-flat, simultaneously. To hear the six-minute conversation, <a href=\"http:\/\/www.bbc.co.uk\/iplayer\/episode\/b01p42wg\/Front_Row_Ali_Smith_Dave_Brubeck_crime_fiction\/\"target=\"_blank\">go here<\/a> and move the timer slide at the bottom of the screen to :24:05. <\/p>\n<p><p>Then, see and hear an extended 1970 performance of  \u00e2\u20ac\u0153Things Ain&#8217;t What They Used To Be,\u00e2\u20ac\u009d a blues staple in Brubeck\u00e2\u20ac\u2122s repertoire, with Gerry Mulligan, baritone saxophone; Jack Six, bass; Alan Dawson, drums. It runs so long that <em>YouTube<\/em> had to present it in two installments. <\/p>\n<div style=\"text-align: center;\"><iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/B_461ul51fc?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n<div style=\"text-align: center;\"> <iframe loading=\"lazy\" width=\"440\" height=\"355\" src=\"http:\/\/www.youtube.com\/embed\/cSqCkDgI8Ds?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>With Dave Brubeck\u00e2\u20ac\u2122s passing, interesting bits of arcana about his life and music are rising to the surface. BBC Radio 4 replayed a portion of an interview from 2000 on the network\u00e2\u20ac\u2122s Front Row program with John Wilson. Brubeck tells Wilson about the role of vitamin B-6 in saving his hands and the unusual use [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-4291","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry","8":"has-post-thumbnail"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=4291"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/4291\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=4291"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=4291"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=4291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}