{"id":425,"date":"2006-03-30T01:00:00","date_gmt":"2006-03-30T09:00:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=425"},"modified":"2006-03-30T01:00:00","modified_gmt":"2006-03-30T09:00:00","slug":"comment_following_conover","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/03\/comment_following_conover\/","title":{"rendered":"Comment: Following Conover"},"content":{"rendered":"<p>John Birchard of the Voice of America writes:<\/p>\n<blockquote><p>I read your <a href=\"http:\/\/www.artsjournal.com\/rifftides\/archives\/2006\/03\/comment_blair_c_1.html\"target=\"_blank\"> new material on Willis Conover and VOA<\/a>. When I joined the staff in &#8217;93, Willis was in decline with cancer. As I worked ights, I didn&#8217;t see him often and, in fact, never had a conversation with him. It was my impression that a fair number of staff people kinda resented his status &#8211; his renown, his separateness from the &#8220;regular&#8221; employees.<br \/>\nFollowing his death, I was appalled that VOA continued to run his  tapes for months and months. After some time had passed, I spoke with the then-Deputy Director of VOA, Alan Heil, asking what was going to happen to the program. He said they would hold auditions for a successor. I applied, knowing that whoever followed Willis would suffer by comparison, but feeling that they should have a &#8220;live&#8221; replacement and continue the great tradition.<br \/>\nMonths went by and I was never given the courtesy of a response to my audition, and I learned a couple of other aspirants were treated the same. Management finally signed Russ Davis and put him on the air with a taped show with no publicity or promotion&#8230;a shabby epilogue to one of the great careers in broadcasting.<br \/>\nOne final Willis anecdote: For most of the 1970s, I was emcee for the annual Quinnipiac College Jazz Festival, which featured the top college jazz bands along the eastern seaboard. Each year, festival organizers invited a distinguished panel of judges to critique the bands &#8211; people like Ernie Wilkins, Clark Terry, Chico O&#8217;Farrill, Rev Norman O&#8217;Connor, Jimmy Lyons, etc.  At the time, I worked as a talk show host in New Haven. The festival ran Friday thru Sunday evenings and I couldn&#8217;t make the first hour of the Friday show because I was on the air. The organizers would run in a substitute for me for that hour. One Friday night, I believe it was in 1972, I arrived at<br \/>\nthe festival site, walked in the hall and heard a very distinctive voice over the PA&#8230;yes, it was Willis. I made my way backstage, anxious that I might have lost my gig. When he was given the high sign from the wings, he introduced me. I walked onstage,  took the mic and said to the audience, &#8220;Do you know how intimidating it is to try to follow the most famous jazz disc jockey in the world?&#8221;.<br \/>\nI  don&#8217;t know if the audience realized who he was &#8211; but I sure did. It&#8217;s a memory I shall  treasure lways.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>John Birchard of the Voice of America writes: I read your new material on Willis Conover and VOA. When I joined the staff in &#8217;93, Willis was in decline with cancer. As I worked ights, I didn&#8217;t see him often and, in fact, never had a conversation with him. It was my impression that a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-425","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/425","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=425"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/425\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=425"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=425"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=425"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}