{"id":421,"date":"2006-03-16T01:04:00","date_gmt":"2006-03-16T09:04:00","guid":{"rendered":"http:\/\/www.artsjournal.com\/rifftides\/wp\/?p=421"},"modified":"2006-03-16T01:04:00","modified_gmt":"2006-03-16T09:04:00","slug":"where_did_that_come_from","status":"publish","type":"post","link":"https:\/\/www.artsjournal.com\/rifftides\/2006\/03\/where_did_that_come_from\/","title":{"rendered":"Where Did THAT Come From?"},"content":{"rendered":"<blockquote><p>Speak low, if you speak love \u00e2\u20ac\u201dWilliam Shakespeare, <em>Much Ado About Nothing<\/em>, 1599<\/p><\/blockquote>\n<blockquote><p>Speak low, when you speak love\u00e2\u20ac\u201dOgden Nash, Kurt Weill, \u00e2\u20ac\u0153Speak Low,\u00e2\u20ac\u009d <em>One Touch of Venus<\/em>, 1943<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Speak low, if you speak love \u00e2\u20ac\u201dWilliam Shakespeare, Much Ado About Nothing, 1599 Speak low, when you speak love\u00e2\u20ac\u201dOgden Nash, Kurt Weill, \u00e2\u20ac\u0153Speak Low,\u00e2\u20ac\u009d One Touch of Venus, 1943<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[4],"tags":[],"class_list":{"0":"post-421","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-main","7":"entry"},"_links":{"self":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/421","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/comments?post=421"}],"version-history":[{"count":0,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/posts\/421\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/media?parent=421"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/categories?post=421"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.artsjournal.com\/rifftides\/wp-json\/wp\/v2\/tags?post=421"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}